Re-Vamped Online Gallery

Cedar Lee October 4th, 2009

Okay–so, I’m not so great at this not-working thing.

I’ve just spent many hours re-designing the gallery page of my website to more clearly represent my current focus.

Check it out!  ArtByCedar.com/gallery

I’ve got more updates to my site in mind, but it’s currently after 4 am, so I’m calling it a night.

Two of my favorite paintings have just sold, Fiery Sky and Awakening.  I am actually quite sad about this because I had priced them too low and I’ll never see them again.  Fiery Sky was my absolute favorite painting.  A few days after sending it to the gallery, and it’s gone.  But I know in my heart of hearts that I’d rather all my work be out in the world being seen and enjoyed by others.  Sending them out there makes room for the new work to come in.

Fiery Sky

Fiery Sky

Awakening

Awakening

I’ll have a lot to do when I get back to painting full time.

Alright–maternity leaves officially starts………..NOW!

On Maternity Leave, Officially

Cedar Lee October 2nd, 2009

Over the past month I’ve successfully gotten a couple dozen paintings prepared, delivered, and shipped out to their various new homes and up onto art gallery walls to be displayed and sold!  As of a few days ago, I’ve officially declared that my maternity leave has begun.

This photo of me was taken a couple of weeks ago, at about 37 weeks pregnant with my first child:

Pregnant in Tree

At that point I was still climbing trees.  Now, not so much!  My estimated due date is now fast approaching, and I’ve shifted my focus inward for the time being.  You can expect things to get quiet around here for awhile, but I’ll check in when I can.

I plan to get back to work in the studio in January and start releasing new works again by February.  I won’t be taking on any new commissioned work until February.

Looking ahead to 2010, my artistic efforts next year will be focused on further developing several ongoing series’:

Sunflower Series

Sunflower Heart III

Lotus Series

Lotus XIV

Looking Up Series

Autumns Meridian

Cosmic Dance Series

cosmic dance ii

For the past 9 months, the same creative energy I put into my work has also been going into the creation of a new baby.  Now that same energy will form the start of a new family.  It is a never-ending process of growth.  Please keep me in your thoughts as I embark on this adventure!

Sunflower Hearts!

Cedar Lee September 13th, 2009

New sunflower paintings!

I really love these.  They’re quite abstract and not entirely botanically accurate.  They’re based on real flowers, but are not so much about realism as they are about getting lost in the exquisite patterns in the hearts of my own personal fantasy sunflowers.  I had fun painting them.

The vibrant colors command your attention immediately, while the intricate details ask to be examined more closely.  They are quite intense, which I think makes them perfect for adding color and interest to a room that needs it.  When hung on the wall, they make an arresting focal point.  I love looking at them!

I most definitely have plans to make more of these in the future.

They are all oils on 16″ x 16″ x 1.5″ hardboard panels.

Sunflower Heart I

Sunflower Painting by Cedar Lee: Sunflower Heart I

Sunflower Heart II

Sunflower Painting by Cedar Lee: Sunflower Heart II

Sunflower Heart III

Sunflower Painting by Cedar Lee: Sunflower Heart III

Sunflower Heart IV

Sunflower Painting by Cedar Lee: Sunflower Heart IV

They can be displayed in a row:

Sunflower Art Displayed in a Room

Or a grid:

Sunflower Art Displayed in a Room

Or in any way you want!

Sunflower Hearts Coming

Cedar Lee September 9th, 2009

The next 4 paintings I’m about to show you (I’m working on the 4th now, and will photograph them when it’s done) are still part of the Sunflower series, but they are a departure from the norm.  They’re on the same size panels, painted in oils, but instead of entire sunflower heads, they are zoomed-in close-ups of the centers of the sunflowers, where the seeds are.  I’m calling them Sunflower Hearts.  They’re very colorful and somewhat abstracted.  I really love them so far!

Pictures coming soon!

I’m about to start my maternity leave, so once these 4 are done, my priority will shift towards getting the 20 paintings I have all over my studio in various stages of drying ready to send to their destinations.  This process includes cataloging and labeling each painting for my inventory, attaching hanging wires to all of them, photographing the new ones and getting them online.

Several are going to customers who have already purchased them.  A lot are going to be delivered in person to local galleries, and a lot are going to be carefully packed and shipped to out-of-state galleries.  So, there’s a lot going on around here.  Stay tuned!

6 New Sunflower Paintings

Cedar Lee September 2nd, 2009

Here are my 6 latest Sunflower paintings.  The colors are vibrant and the paint is thick and textured!  All are oil on 16″ x 16″ hardboard panels.

Orange Aura

Sunflower Art by Cedar Lee: Orange Aura

Starburst Blaze

Sunflower Art by Cedar Lee: Starburst Blaze

Italian White III

Sunflower Art by Cedar Lee: Italian White III

Strawberry Blonde II

Sunflower Art by Cedar Lee: Strawberry Blonde II

Jade II

Sunflower Art by Cedar Lee: Jade II

Strawberry Blonde III

Sunflower Art by Cedar Lee: Strawberry Blonde III

The sunflower paintings are fun because they can be mixed and matched.  There are so many options for how to display them.

Sunflower Art Displayed in a Room

Sunflower Art Displayed in a Room

Sunflower Art Displayed in a Room

Tips for Aspiring Artists

Cedar Lee August 29th, 2009

I have a lot of new paintings, but I’m waiting till they’re dry to photograph them all at once.  There will be a big “new sunflowers!” blog next week.

A sneak peek at the drying rack!

Sunflower Art on Drying Rack

Sometimes artists come to me and ask if I can give them some general advice or ideas for getting their work out into the world and selling it.  It’s always hard to answer this question because there are so many approaches one might take.  It depends on your artwork, your audience, and your specific goals.  I only know what’s worked for me over the past few years.

I’ve settled into a track of gallery representation alongside self-representation through my website, and I carefully balance the two.  Some artists just choose one or the other.  Other ways to sell your art include art dealers, interior designers, arts & crafts trade shows, the eBay & Etsy route, wholesaling, roadside stands, alternative venues like retail stores, office buildings, restaurants, etc., and many other tacks.  There’s no reason why you have to stick to only one, although some approaches are more all-consuming.

I tried to narrow down my limited but valuable experience into a few things that have worked well for me.  These are the things I would tell any artist who asks me how I got here from where I started (which was nowhere):

Tip 1

Above all else, I’ve never stopped developing and improving my work.  My progress at times has been slower than I would have liked, but improving my technical skill and my finished work has been, and always will be, an ongoing goal.

One tip for aspiring painters that seems like common sense but is often overlooked is that your paintings must be completely finished, polished, and ready to hang in someone’s beautiful home.  Take care with the hanging wires and the frames.  If unframed, make sure the edges of your canvas are finished in an attractive way–no staples!  Use high-quality materials.  Sign your work in a consistent way.

Tip 2

I worked very hard to find galleries that were a good fit for my work, run by people who were a good fit for me.  Once involved with a new gallery, I’ve worked hard to cultivate relationships and I’ve tried to always give the gallery owners what they want and what they need.  Generosity, professionalism, good communication, and consistent follow-up are all very important.  You help them and they’ll help you!  This goes for any business relationship, not just ones with galleries.

Tip 3

I dove headfirst into the Internet.  Since the inception of my website in 2006 (it was quite pitiful at the time) I’ve been constantly working on improving it and becoming more and more connected.  I’ve learned about web directories and SEO, I’ve exchanged links, I’ve spent many many hours designing the look of my site, and I’ve periodically re-arranged things so my content is always fresh.  I try to blog regularly and on a loose schedule.

Once your website is together, you’ve got to make sure people know it’s there.  I’m diligent about spending time on online social networking sites every single day.  My email signature includes links to all the places I can be found online.  Over time, my website has become more connected, has gotten better Google rankings, and has brought me many sales.

You can never go wrong with social networking in person either.  I try to reach out to everyone I meet–I bring business cards everywhere, which direct people to aforementioned website, and give them to everyone.

Tip 4

And this tip is very hard to do but has always worked in my favor when I’ve done it successfully.  Never give up.  Be positive, and always project positivity.

For years, I have planted seeds in as many ways & places I could think of, and eventually things happened.  A lot of things I tried were dead ends.  But I think that any action, even if it doesn’t appear to lead to anything, is good.  Sometimes you’re planting seeds for the future and you don’t realize it.  Sometimes just the experience of putting yourself out there will benefit you in ways you never imagined.  Decisions without actions are just thoughts.

Sometimes these “baby steps” are teetering and unstable.  Sometimes they swerve off in odd directions and have to find their way back to the path.  Sometimes they trip and stumble.  But they are steps.

At times, I’ve been in a very dark and hopeless state.  But I’ve always dug out of these ruts and found my way towards the next step.  Try not to dwell in those dark places.  And don’t talk about it publicly!  You may be a blubbering heap on the floor, convinced that you will never amount to anything no matter how hard you work.  But if you spend time voicing your worries about your lack of talent, your lack of sales, or whatever, you will only project desperation.  You will inspire people’s pity instead of their interest and support.

The path of the creative professional can be very isolating.  You won’t survive if you can’t rally yourself.  You must be able to find hope and optimism within yourself, and to replenish those reserves when they run low.  You must be self-motivated and ruggedly self-sufficient.  Before I embarked on this path, it never occurred to me that I would have to be quite so tough.  But if you aren’t tough, you won’t get anywhere.  It sounds harsh, but there it is.

Projecting positivity out into the world, as abstract as that sounds, has been the single biggest factor in all the success I’ve ever had.  One of my favorite poems of all time is “Solitude” by Ella Wheeler Wilcox, who knew exactly what I’m talking about and phrased it beautifully:

Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it’s mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.

Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life’s gall.

Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.

Just checking in

Cedar Lee August 25th, 2009

I’ve finished another Sunflower painting called “Orange Aura” (waiting for the oil paint to dry before photographing) and I’m now working on one called “Starburst Blaze!”

I’ve had a lot of appointments, social dates, obligations, errands, etc. to take care of this week.  Despite the distractions I’ve managed to get some work done on my paintings, but not as much as I would have liked.  Next week I’ll definitely be minimizing distractions.

August seems to be going by very fast!  I can’t believe the kids are going back to school already.  And even though it’s still very hot and humid where I live, there are small telling signs that fall is on its way–subtle things.  The days are just a bit shorter, there’s a difference in the quality of light and the slant of the sun in the afternoon, and a few leaves here and there are less green than they were a few weeks ago.

I love this time of year–the harvest!  My breakfast this morning: Hashbrowns made with rosemary & potatoes (first of the season!) from my garden.  Omelet with tomatoes, peppers, & basil from my garden, eggs & dill havarti cheese from my local farmers’ market.  Oh yeah!

Lemon Eclair Sunflower Paintings

Cedar Lee August 19th, 2009

So, here’s the story with my Sunflower paintings.  I’ve made 26 in this series, and as of a few weeks ago, all 26 have been sold!  More recently, they’ve been selling very quickly, and now I have people waiting for new ones to be completed.

I have 2 pre-sold to a Utah art gallery, 6 more pre-sold to a client of my North Carolina gallery, and 9 more promised to them so they’ll have something to display in the coming months.  That’s a lot of sunflowers to paint, and I need to create them all before my baby is born in October!

I really should have even more than that available, but I’m just going to do what I can and it’ll have to suffice for now.  (I’m also supposed to paint more Lotus art and more Looking Up trees before October, but first things first!)  I’m going to get back to my studio routines as soon as possible after my little one arrives, but as a new mom, I’m not sure what to expect and I’d like to be realistic about the coming fall and winter.

At any rate, over the next month I’m going to attempt the highest possible level of productivity.  Wish me luck on the sunflower-oil-painting marathon I’m about to undertake!  (Now is not a good time for the muse to desert me.)

Here are 2 new ones I’ve just completed!  Both are 16″ x 16″, Oil on Hardboard Panels.

Lemon Eclair II

Sunflower Painting by Cedar Lee: Lemon Eclair II

Lemon Eclair III

Sunflower Painting by Cedar Lee: Lemon Eclair III

Like all of my Sunflower paintings, the edges of each panel are 1.5″ deep, with the painting continuing onto the edges.

1.5\

Sunflower Paintings by Cedar Lee: Lemon Eclair II & III

I’m dreaming of what kind of sunflowers are coming next.  Time for me to get cracking!

Ready-Made vs. Handmade Canvases

Cedar Lee August 10th, 2009

A friend recently asked me whether I buy my canvases pre-stretched or build my own.  I used to cut the wood for all my canvases, then stretch and prime the canvases myself.  Then I realized how much work and time went into those processes, and decided that time would be better spent painting.

So now I buy most of my canvases ready-made, usually from Dick Blick.  I really like Dick Blick because they give bulk discounts–if you buy a certain number of canvases of one type, usually 3 or 5 at a time, the price per canvas goes down.  They also give free shipping for orders over $200, which mine always are.  Their selection is great and you can actually get surprisingly high-quality pre-stretched canvases for a good price.

Ready-made canvases in my studio, waiting to be painted on:

Ready-Made Canvases

That said, there’s nothing quite like a handmade canvas–the care that I take with all the details, especially the choice of wood and the strong bracing, makes my handmade canvases really nice.  Bracing is not so important for smaller-sized canvases, so it makes sense for me to buy those ready-made.  You can get ready-made large canvases with really nice, strong bracing, but at that point it’s usually more economical to do it yourself.

So I make all my large canvases myself (which I use for some of the larger “Looking Up” tree paintings) –and by large I mean larger than about 30″ x 40″.  The largest one I’ve built so far was 4′ x 6′.  Building canvases can be fun.  There’s quite an art to it and I still have more to learn.

Here are some of my handmade canvases.  The 2 on the left are finished (note the nice bracing!)  The ones on the right with the loose fabric have already been built but the canvas has yet to be stretched.

Handmade Canvases

Some of my work (my Sunflower series) is done on hardboard panels, which I also get from Dick Blick.  It wouldn’t be too hard to purchase large sheets of artist-grade (acid-free!) hardboard, cut them to size myself, attach them to wooden frames, and prime them.  But buying them already prepared, at least in the small sizes I work with, is definitely the more economical choice, and I don’t have to sacrifice quality.

Ready-Made Hardboard Panels

However, just like with canvases, once you get into the really large sizes, it’s always more economical to prepare hardboard for painting yourself.

Whether you make your canvases yourself or buy them ready-made, you’re going to have to spend some money.  If you make them yourself, you’re also going to spend some time, and you’re going to have to develop some skills and have the necessary tools.  If you have the skills and the tools, making them yourself will likely be cheaper.  (Although sometimes it’s not!)

But don’t forget to factor in the value of your time–once I sat down and calculated this, the choice was clear to go with ready-made canvases, as long as I don’t sacrifice quality, whenever possible.

On the other hand, I recognize that building and stretching your own canvases can be meditative and satisfying, and adds to the overall process of making your art.  Because my goal as an artist is to sell my work, I find that it’s worth it to give up some of that process in order to increase my production of new work.  If art-making were not how I made my living, I might have a different take on this–I suspect I might even be a “handmade canvas snob,” insisting that ready-made canvases are inauthentic and therefore inferior.  LOL!

I’d be interested to hear what canvas choices other painters are making, and why.

3-Panel Painting: Lotus Pond II

Cedar Lee August 7th, 2009

Here is the latest Lotus art, fresh off the easel!  This is a 3-panel painting, also known as a triptych.  It’s painted in oil on 3 separate 16″ x 12″ canvases.

Lotus Pond II

Lotus Flower Painting by Cedar Lee: Lotus Pond II

Here’s a close-up of each of the 3 panels.

Lotus Flower Painting by Cedar Lee: Lotus Pond II, Panel 1 of 3

One of my goals for this series is to keep the design elegantly simple but with flowing movement throughout and many points of interest.

Lotus Flower Painting by Cedar Lee: Lotus Pond II, Panel 2 of 3

I love working with this opulent color scheme of deep reds, olive greens, white and gold.  The colors in a real-life lotus pond are much more of a spring palette, but I feel that these colors fit well with the romantic mystique and rich symbolism of lotus flowers, which glow like jewels as they rise out of the muck.

Lotus Flower Painting by Cedar Lee: Lotus Pond II, Panel 3 of 3

Here are some ideas for where you might hang this piece of art:

Lotus Flower Painting by Cedar Lee: Lotus Pond II, in a room

Lotus Flower Painting by Cedar Lee: Lotus Pond II, in a room

Lotus Flower Painting by Cedar Lee: Lotus Pond II, in a room

An ongoing part of this series that I’m having a lot of fun with is the addition of the stylized, simplified forms of small, enchanting pond critters, such as beetles:

Detail: Lotus Pond II, Beetle

frogs:

Detail: Lotus Pond II, Frog

and of course, the ubiquitous dragonflies:

Detail: Lotus Pond II, Dragonflies

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