Diamond Ring Eclipse & Eclipse of a Binary Star

June 13th, 2013

I just finished these two little oil paintings on wood panels. Both are 10″ x 10″ and are 1.5″ deep on the sides.

Paintings by Cedar Lee: Diamond Ring Eclipse & Eclipse of a Binary Star

This one is called “Diamond Ring Eclipse,” because I’ve depicted the Bailey’s beads effect seen during a solar eclipse, which looks like a diamond ring!

Diamond Ring Eclipse. 10" x 10", Oil on Wood, © 2013 Cedar Lee

Diamond Ring Eclipse. 10″ x 10″, Oil on Wood, © 2013 Cedar Lee

The color palette for both these paintings is both earthy and colorful. You can see here how the colors look slightly different when viewed under different lighting. In a sunny room, the reds and golds really glow.

Diamond Ring Eclipse. 10" x 10", Oil on Wood, © 2013 Cedar Lee

Diamond Ring Eclipse. 10″ x 10″, Oil on Wood, © 2013 Cedar Lee

This one is called “Eclipse of a Binary Star” because the massive star being eclipsed in the foreground is part of a binary star system, the other star shown in the distance at the top. Our sun is not in a binary system, so obviously this vantage point is not Earth but some far-off imaginary rocky planet. Pure astronomy fantasy. :)

Eclipse of a Binary Star. 10" x 10", Oil on Wood, © 2013 Cedar Lee

Eclipse of a Binary Star. 10″ x 10″, Oil on Wood, © 2013 Cedar Lee

And you can see the reds and golds popping under the different lighting here:

Eclipse of a Binary Star. 10" x 10", Oil on Wood, © 2013 Cedar Lee

Eclipse of a Binary Star. 10″ x 10″, Oil on Wood, © 2013 Cedar Lee

I am excited to say that these two paintings were created in my new studio! I am still gradually getting things set up out there, but my paints, brushes and easel are out there and that’s all I really need.

Here are a few photos of me working in the new space–the large painting in progress shown here should be finished next week!

Artist Cedar Lee working in her studio.

Artist Cedar Lee working in her studio.

Artist Cedar Lee working in her studio.

Artist Cedar Lee working in her studio.

Artist Cedar Lee working in her studio.

Artist Cedar Lee working in her studio.

Moving Into New Art Studio

June 3rd, 2013

If I’ve been quiet lately it’s because I’ve been working long hours to finish the interior of my new studio in a hurry so I can finally move in!

Happily, I can report that my studio now has electricity, really nice ventilation, and insulated, painted walls! I’m working on last-minute trim and other small details now, and I’m just about ready to start moving in furniture, art supplies, easel and tools! By next week I’ll be back to my regular painting schedule!

Cedar Lee, Artist in her Studio

Art Studio of Artist Cedar Lee

You can see more photos of the progress over on my Facebook page.

Insulation Installed in New Studio!

May 17th, 2013

I’ve made lots of construction progress on my new studio today–insulation complete!

Construction underway on artist Cedar Lee's painting studio. Insulation installed.

This was my first time installing insulation, and it was tedious (lots of irregular shapes and sizes to cut) but really easy.

Construction underway on artist Cedar Lee's painting studio. Insulation installed.

I am very itchy from the fiberglass despite wearing long sleeves, pants and gloves. That stuff is horrible!

Construction underway on artist Cedar Lee's painting studio. Insulation installed.

But pleased with how it turned out.

Artist Cedar Lee installs insulation during the construction of her new painting studio.

Sheetrock, here I come! (That I’ve done before–Ooh, joint compound and drywall tape. Fun!)

Flare & New Studio

May 15th, 2013

Here is my painting “Flare.” It’s my depiction of a stellar flare, but not from our sun. This star is a faraway blue giant.

Isn’t it beautiful? I wish it were possible to witness the constant fiery undulations of stars with our naked eyes.

Flare. 24" x 24", Oil on Wood, © 2013 Cedar Lee

Flare. 24″ x 24″, Oil on Wood, © 2013 Cedar Lee

You can see the scale of it here:

Artist Cedar Lee with her painting: Flare. 24″ x 24″, Oil on Wood, © 2013 Cedar Lee

This is such a lovely and exciting image to me–I’m already developing this theme more in the studio.

…Speaking of my studio!!!

If I’ve been quiet lately it’s because I’m in the process of building my new studio out in the avocado grove behind my family’s house! The exterior structure is completely built.

Art Studio of Cedar Lee

It’s only 120 square feet, so I won’t be using it for exhibition purposes, but it is the perfect size to work in.

Art Studio of Cedar Lee

The lighting out there is excellent, with huge double doors on one wall, 2 large windows and a skylight. In addition to the windows, there’s plenty of extra ventilation, (important when painting) with 4 wall vents and a ridge vent.

Progress on Art Studio of Cedar Lee

As you can see in these photos, the interior is still unfinished. We have begun wiring it for electricity, and next will be insulation, sheetrock, interior paint, lighting and climate control.

Progress on Art Studio of Cedar Lee

I’m debating whether or not to put in additional flooring, since I’m just going to get paint all over the floor anyway, and the wood we’ve already got down is solid enough.

Progress on Art Studio of Cedar Lee

This is such a peaceful place to create. My little work sanctuary is surrounded on all sides by avocado trees. The ground is always dappled with the sunlight filtering through the leaves, and there is often the sound of a gentle breeze and birds calling overhead.

Progress on Art Studio of Cedar Lee

View From Art Studio of Cedar Lee

Even though it’s not finished yet, I’ve already been painting out there, just sitting on the floor in the middle of a dropcloth with my canvas and paints.

I can’t tell you how much I’m looking forward to the studio being completely finished so I can move all my furnishings, shelves, supplies and easel out there! I have been dreaming of a studio space like this for 10 years.

Golden Haloed Moon & Milk Moon Rising

April 29th, 2013

This week in the studio I’m working on paintings of the full moon. In both these oil paintings, the moon and a sky glowing bright with moonlight make the backdrop for the Tree of Life. I keep returning to the Tree of Life in my paintings because it symbolizes the interconnectedness of all things. The Tree of Life together with the glowing full moon makes a powerful image.

Painting of the moon and Tree of Life: Golden Haloed Moon. 18" x 24″, Oil on Canvas. © Cedar Lee 2013

Golden Haloed Moon. 18″ x 24″, Oil on Canvas. © Cedar Lee 2013

This one is called “Golden Haloed Moon” because of my attempt to capture that brilliant halo effect. It’s hard to tell from the photo, but in person the moon is indeed glowing golden. Here’s a detail shot of the moon so you can fully see the colors:

Detail from painting by artist Cedar Lee: Golden Haloed Moon. 18" x 24″, Oil on Canvas. © Cedar Lee 2013

Detail from Golden Haloed Moon

And here is “Milk Moon Rising.” Like my earlier painting, “Seed Moon Rising,” it is titled for one of the names of the full moon. The Milk Moon, also sometimes called the Full Flower Moon, occurs in mid-spring–this year it’ll be on May 25th. I thought it an apt title because of the milky-white quality of the moonlight washing over the scene.

Painting of the moon and Tree of Life: Milk Moon Rising. 18" x 24″, Oil on Canvas. © Cedar Lee 2013

Milk Moon Rising. 18″ x 24″, Oil on Canvas. © Cedar Lee 2013

I particularly love the details that show the craters and rocky surface of our moon:

Detail from painting by Cedar Lee: Milk Moon Rising. 18" x 24″, Oil on Canvas. © Cedar Lee 2013

Detail from Milk Moon Rising

Both paintings available for purchase. (Or they will be, as soon as they finish drying.)

Afternoon of Art & Wine

April 29th, 2013

Last weekend I hosted a private party: “Afternoon of Art & Wine,” along with my friend Elena Karavodin, a fellow local oil painter, and my friend Ruth Hammons, a local wine seller. Ruth presented a wine tasting for our guests, (I am not much of a drinker, but even I agreed the wines were delicious!) and Elena and I collectively displayed more than 40 of our paintings and talked about our work.

Cedar Lee and Elena Karavodin with Karavodin's paintings, "Jungle Fever" (left) and "Strange Brew" (right)

Cedar Lee and Elena Karavodin with Karavodin’s paintings:
Left: Jungle Fever. ©  Elena Karavodin 2013
Right: Strange Brew. © Elena Karavodin 2013

It was so much fun! Have I mentioned how much I love having genuine friendships with other artists?!

Cedar Lee and Elena Karavodin with Lee's painting "Cosmic Dance III"

Cedar Lee and Elena Karavodin with Lee’s painting:
Cosmic Dance III. © Cedar Lee 2013

Artist Elena Karavodin, Ruth Hammons & artist Cedar Lee, in Lee's home

Artist Elena Karavodin, Wine Seller Ruth Hammons & Artist Cedar Lee, in Lee’s home

The house looked beautiful with all of our artwork on the walls. I think this painting was simply made to go above a fireplace, but didn’t realize it until I hung it there to see what it would look like.

Artist Cedar Lee's painting displayed above fireplace: Passion. 30" x 20", Oil on Canvas, © Cedar Lee 2013

Artist Cedar Lee’s painting displayed above fireplace:
Passion. 30″ x 20″, Oil on Canvas, © Cedar Lee 2013

Elena’s smaller paintings looked fantastic on this interesting curved wall (click the picture to enlarge):

Artwork by Elena Karavodin in Artist Cedar Lee's home

Artwork by Elena Karavodin in Artist Cedar Lee’s home

Showcasing my artwork to friends is always a fun experience because I get to hear people’s reactions firsthand, answer questions, and have interesting discussions about my art. No matter how well-photographed a painting is, there’s no substitute for seeing the work in person!

Cedar Lee Artist with her paintings Top: Fiery Stardust. © Cedar Lee 2013 Bottom: The Source. © Cedar Lee 2013

Artist Cedar Lee with paintings:
Top: Fiery Stardust. © Cedar Lee 2013
Bottom: The Source. © Cedar Lee 2013

Here’s me with my darling little girl:

Cedar Lee Artist with her daughter and paintings: Top: New World. ©  Cedar Lee 2013 Bottom: Star Clouds. © Cedar Lee 2013

Artist Cedar Lee with her daughter and paintings:
Top: New World. © Cedar Lee 2013
Bottom: Star Clouds. © Cedar Lee 2013

I’ll be doing this again to showcase the work of other local artists for sure. If you’re local to Escondido, CA and you’d like to be invited to future events like this, drop me an email with your contact info!

Tranquil Moonlight

April 19th, 2013

You know when the full moon has just come up over the horizon and it looks huge? I can remember experiencing a few particularly spectacular full moons in my lifetime. One of them was on a camping trip with friends.

It was a few years before my first child was born, so I guess we were all in our mid-20s. It was my husband, myself, our two single friends, and our now dearly-departed dog, Clara. I don’t remember where exactly we went, but I think the choice was made based on it being classified as the most strenuous hiking trail in Maryland. We then upped the ante even more and decided to go off-trail for most of our adventure and really go exploring the wilderness–a 20-mile round trip.

We climbed nearly vertical rock faces (handing the 50-pound dog up to each other when necessary), meandered through the most peaceful forests of majestic trees, played in streams, and found breathtaking vistas and one secret spot with a cave, a waterfall, and charming little chairs and a table that some other explorers had created out of rocks.

We had brought hammocks to sleep in so we wouldn’t have much to carry, and foolishly, we didn’t account for how cold it would be, or how much colder you feel when hanging in the breeze in a hammock. Our blankets, as an understatement, were not sufficient. The dog had a cozy little bed on the ground so I think she was okay. But that night all four of us humans in our hammocks laid there shivering miserably. All of us thought the others were sleeping, and none of us wanted to disturb anyone else, so we all suffered in silence for hours.

Finally I heard my husband get up and his footsteps crunching around in the darkness, so I got up too. It must have been about 3 in the morning. Our teeth were chattering and we laughed as we both started gathering wood for a fire without the need to say anything. Within 2 minutes both our friends were up and doing the same. So we ended up all lying on the ground in our thin blankets around a campfire, still cold but able to sleep at least for a couple of hours before the sun came up. It was easily the most miserable night of sleep I’d ever had in my life to that point–I hadn’t had kids yet, you see.

But, that night was also one of the most magical and memorable nights of my life, the kind of night when your whole being feels alive and humming with adventure. We were cold and miserable and in pain from hiking 10 miles off-trail into the middle of nowhere, but we were young and happy and our spirits were high. That night, there was a full moon. We had made camp not too far from a gigantic field of tall grass and wildflowers on a rolling hillside. After we got up in the middle of the night to build up the fire, we walked a little bit over to the field to check out the moon.

It was so bright that once we got into the clearing it almost felt like daylight! The sky was clear and we could see the Milky Way. We all sat down on the hillside and just gazed at the gigantic moon in wonderment. I felt contentment and gratitude, like all was well in that moment, true abundance.

That’s the same kind of feeling I get from this painting.

Tranquil Moonlight. 24″ x 30", Oil on Canvas. © Cedar Lee 2013

Tranquil Moonlight. 24″ x 30″, Oil on Canvas. © Cedar Lee 2013

 

Glow Within

April 9th, 2013

Here is “Glow Within.” I think it’s a great representation of what my Lotus Series is all about, and what inspired me to paint lotus flowers in the first place:

The lotus is a metaphor for the light of the human soul transcending the darkness that surrounds it. It grows out of a mucky, scummy, vile swamp but is pure, clean and vibrant, perfectly symmetrical, delicate and fragrant.

This oil painting is called “Glow Within” because it looks like the lotus flower is lit from within and glowing brightly, even compared to its relatively glowy surroundings. It is analogous to the “light” of unique personality, animation and human spirit inside of each person.

Glow Within. 30″ x 24″, Oil on Canvas. © Cedar Lee 2013

Glow Within. 30″ x 24″, Oil on Canvas. © Cedar Lee 2013

It’s been a long time since I’ve done a Lotus painting. For the past year I’ve been focused more-or-less only on my Cosmic Dance series, which I plan to continue until it feels complete to me, if that ever happens. But I was really drawn to revisit this theme this week. For one thing, I LOVE painting these! There is something satisfying about the rich, sensual color scheme, especially when applying the paint and seeing it come together on the canvas. The symbolism of the lotus blossom continues to be an inspiration for me. And I’ve gotten many requests from owners of my previous Lotus paintings (almost all sold) to make more of them.

I feel that my increased technical skill is evident in this painting when compared to earlier Lotus paintings–this is of course a natural and expected progression that all artists experience, but nonetheless it always delights me to see the proof. This painting is available for sale here, where you can also see the rest of my current and ever-changing inventory. Enjoy!

Seed Moon Rising

March 30th, 2013

Here is “Seed Moon Rising.” Seed Moon is one of the names given to the full moon in early spring, called that because it corresponds with planting time. I thought it a fitting title since I just planted my vegetable garden!

This is a painting of the rising moon in a star-strewn sky as a backdrop for the Tree of Life, which represents the interconnectedness and cyclical nature of all things. There is something about looking up at a full moon that makes me feel extra alive–no wonder it has been so completely enchanting to us humans as long as we’ve been here.

Seed Moon Rising. 30" x 24″, Oil on Canvas. © Cedar Lee 2013

Seed Moon Rising. 30″ x 24″, Oil on Canvas. © Cedar Lee 2013

I especially love the little details in this painting–like the subtle shadows that show the rocky surface of the moon:

Detail of painting by Cedar Lee: "Seed Moon Rising"

The varied brush marks and patterns in the star-strewn sky, and the harmony of the negative shapes between the branches of the tree:

Detail of painting by Cedar Lee: "Seed Moon Rising"

And the patterns of circles in the foreground, echoing the stars in the sky above, reminiscent of pebbles and stones, and seeds planted in the earth.

Detail of painting by Cedar Lee: "Seed Moon Rising"

Detail of painting by Cedar Lee: "Seed Moon Rising"

Creating Movement in Paintings

March 29th, 2013

At the recent artists’ conference I attended, I had the privilege of hearing several great speakers. One of them was figurative painter F. Scott Hess who teaches at the Laguna College of Art & Design.

I thought I’d share a few of my notes from his talk about how to create visual movement in paintings. I realize it won’t make as much sense for you without the corresponding slide show and elaboration, but nonetheless I think these brief notes will be interesting to painters and anyone interested in the kind of deliberate thought that the artist sometimes must use when composing a painting.

Some methods for creating movement:

  • Association. For example, if you see the form of a dancing person, you assume movement.
  • Instability. Purposely create a composition that is off-balance. The viewer’s brain unconsciously wants to move things around to restore the missing balance, which creates feeling of movement.
  • Enactment or Succession–create a pattern of movement across the image going from one object to the next.
  • Striving Forces. Elements within a painting that fight each other or attract each other. For example, partially block an object in the painting with another object, making the viewer’s brain want to move it in front. Or use structural ambiguity by skewing forms to create a kinetic sensation.
  • Flicker & iridescence. To create flicker, create a harsh breakup of color and light with opposite colors right next to each other, which is good for a sense of speed and tempo. To create iridescence, use a much narrower range of tone and color. Iridescence is a great way to show the flow of water or wind.
  • Discombobulation. Create confusion by taking things apart into pieces or removing forms from their outlines.
  • Viewing. Control what the viewer looks at. Most people look from left to right. If movement goes right to left its psychologically harder for the viewer to process the image. Use both to create movement or clash. You can also lift things against gravity to create movement, or use depth so things appear to be moving away from you or towards you.
  • Path of Movement. Put a path in the painting for the viewer’s eye to follow. Anything you place on that path will have movement.

One of my paintings that I think has great movement in it is Pollination:

Pollination. 24″ x 72″ (2 panels), Oil on Canvas. © Cedar Lee 2012

Pollination. 24″ x 72″ (2 panels), Oil on Canvas. © Cedar Lee 2012

Also speaking that day was Glenn Brill, who gave an excellent talk and demonstration about Gamblin oil colors, mediums and solvents, complete with color theory and a lot of nitty-gritty details about the chemistry of painting. I’m not going to go into all of that here, but wanted to share this one thing he said that I jotted down (paraphrased):

“Because painting requires constant problem-solving, painters have the mental agility to do any profession.”

Totally unrelated brag moment: Check out what my son painted the other day. It’s a snail on a rock!

blazingtonsnail

I wanted to test out a lesson plan for the upcoming art lessons I’ll be teaching to local children. So on this day, instead of just letting him play with paint undirected, which is what I usually do, I gave him his first official art lesson. I taught him how to mix paint and create a color wheel, then do a line drawing with marker and use all the different colors to fill in the shapes of his drawing. Not too shabby for a 3 1/2-year-old!

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