Studio Renovation Underway

Cedar Lee February 1st, 2010

When I first moved with my husband into our current home 8+ years ago, I took this terrible, fuzzy photo of our basement with a terrible camera:

This is just to give you an idea of what was there once upon a time–dark, fake-wood wall paneling, light beige carpet–somewhat dungeon-like, despite being a finished basement.

I immediately deemed it suitable for my husband’s lair.  He proceeded to turn the space into a mess of computer equipment and wires, disorganized papers, compact disks and what looked to me like piles of junk.  There was no semblance of decorating of any kind, aside from a few maps, car posters, and some paintings I’d given him.

The style of the computer monitors here dates this photo, which was taken before most of the accumulation of junk and wires.  (I tease, but to be fair, my husband is an amazing techie whiz and knows lots of stuff about computers.)

We were both happy with this arrangement until last year, when my needs outgrew my previous studio, a small spare bedroom upstairs, and I began taking over the entire house with paintings, tools, drying racks, art supplies, lumber, packing supplies, etc.  My business was growing rapidly.  Meanwhile, my husband’s many ancient monitors had been replaced by one large, more modern one, he sorted through and shredded a lot of papers, and he was streamlining his home office setup in general.

I loved my little upstairs studio–it was wonderful, with great natural light.  Just too small.  And he loved his basement lair, but it was too big for his needs.  Ultimately it just became obvious that a trade was in order.  So my husband moved his office upstairs, and I began the process of turning what I saw as a dungeon-like space into my new studio.  I started to get excited about the potential I now saw in the large, open space.

By February of 09 (nearly a year ago now!) I had made renovation plans and set up one corner of the basement as a makeshift workspace, and I was happy with the progress.  Click here to read a blog post from that time.

Enter pregnancy.  Enter debilitating fatigue and morning sickness.  My last memory of working on this renovation involved applying a little paint to the wall, crawling dizzily over to the steps to hang my head between my knees, eventually applying a little more paint, running to the bathroom to dry-heave over the toilet, crawling back for one more attempt, then finally falling into a nauseated sleep in a fetal position on the floor, surrounded by paint rollers and screwdrivers.  At that time I decided it was best to put the project on hold for awhile.

My baby is now almost 4 months old, and I’ve finally gotten back to my renovations.  It looks like this time it’ll actually get finished!

Here are a few progress pics for you.  The fake-wood paneling requires painting with a brush in the cracks between each panel.  You can see here I had done that step with primer over the original paneling in the far side of the basement.  My makeshift studio, which I’ve been using since I moved into the space, is over on the left side of this photo, continuing outside the frame.

(It’s a very large space.  I plan to put together a rotating gif for you to show all the angles of the room once it’s done.)

Last week I painted the far wall a gold color called “Allspice.”  I honestly don’t know what I was thinking when I bought that paint.  Oh, it’s a lovely color–energizing.  But it’s way overwhelming on a gigantic wall, and it reminds me too much of baby poop.

So I replaced “Allspice” with “Bronco Brown,” a more subdued and neutral, but still warm and energizing color.  You can’t really tell from these photos, but it’s a nice, suede-like caramel tone.  My husband helped me paint the ceiling (thank you!!) and we put in new light fixtures.  It’s a little less dungeon-like already!

I painted the weight-bearing pole in the middle of the room “Brick Dust” red, to match the color on the near wall.

Here’s a photo from the other side of the studio (you can see the red wall back there.)  Next on the list is new outlets, switches, and vent covers.

It doesn’t look like much yet, but it’s going to be fantastic when it’s finished.  I’ll have an office area, a painting area,  a sitting area, a baby area, a workshop/carpentry/packing area, and tons of space for drying paintings, storing inventory and supplies, and stretching out to work on projects in the middle of the floor.  More on this later…Wish me luck!

Rules of Color Mixing

Cedar Lee January 20th, 2010

I recently expressed my excitement about the color red on Facebook, and my painter friend Ron Ogle reminded me to always use more than one shade of red when using red in a painting.

This got me thinking about the rules of the palette, and how rules can vary greatly from artist to artist.  I think that when it comes to color mixing, there is no absolute right and wrong.  What is right is a personal decision highly dependent on the individual painter’s vision, technique and process.

I asked some of my painter friends the following: Do you think there are rules for mixing colors? Do you limit your palette, and if so, what colors do you use?

Here are some of the responses I got:

“Today on my palette I have two yellows, orange, light red and alizarin crimson, sap green, cobalt, ultramarine and cerulean blues, dioxazine purple, black, lots of white. Basically the color spectrum.  From there I paint everything.  I got here mainly through doing plein-air and wishing to travel light.” ~David Nakabayashi

“I limit my color palette to 9 colors – I never mix them – for consistency reasons across my paintings.  I like the challenge of my limited palette in using to create depth in my work.”  ~Shai Steiner

“Unlimited palette here.  I visualize the color I want and go for the coolness or warmth I need and if it’s not quite right, I glaze layers over it until it’s what I want.”  ~Nancy Dunn

“I’m a slob.  I push paint around until I get what I like.”  ~Marc Pitman

I have several new Sunflower Heart paintings on a drying rack in my studio, waiting to be photographed.  Here’s a sneak peek!

My personal approach to color is to limit my palette for each painting, but I don’t use the same colors every time.  Before beginning a new painting, I think about what colors I’d like and lay them out.  I’m not “allowed” to use any colors except those for that painting (and if I’ve chosen well, I don’t want to.)

My friend Matt (not a painter, but a writer) expressed his doubt: “The way I look at it, if a painter limits his palette to a certain amount, it’s like a writer only being able to use certain words.”

You’d think that to be the case, but in my experience, limiting your palette forces you to get good at mixing colors.  If you are forced to make your own green from yellow, blue, red & white, you’ll end up with an infinite variety of interesting greens and in the process, learn a lot about green.  A literary analogy would be poetry: when writing a sonnet, you’re limited by the structure of the sonnet and are forced to find good words that fit into that structure, sound beautiful, and have meaning. You may end up being more creative as a result.

When I first started painting, I was a little kid.  I didn’t start my learning process with anything fancy–I was given only a few basic colors to start with.  Mixing colors to achieve a desired result is now second nature to me, and I only have to think about it subconsciously if at all.  I learned this skill mostly by practicing with the primary colors, red, yellow and blue, plus white.  It’s amazing what you can do with only those 4 pigments.

Celestial Flirtation

Cedar Lee January 13th, 2010

Here’s the new addition to my Cosmic Dance series:

Celestial Flirtation

24 x 30″, Oil on Canvas

The sun and the moon are performing a flirtatious dance as they pass each other in the sky, the “arms” of their light playfully reaching.

The light from the sky kisses the horizon with a touch of white.

Stars glow throughout the sky.  In this corner of the painting, the stars are created by a fun splattering of thick paint which reminds me of a meteor shower.

This painting would add color to any room!

I’ll be making more Cosmic Dance paintings like this one in the coming months.  And right now I’m working on continuing the Sunflower Heart series–so stay tuned for more new work!

Winter Spring Summer & Fall

Cedar Lee January 11th, 2010

I was looking through some of my photo archives of older artwork on my computer and wanted to share these paintings with you.  I did them as a “4 seasons” project for a college art class years ago.  I’ve since painted over the originals with gesso (which is a kind of primer, for you non-art-geeks) and given the canvases away for a friend to paint on, so the originals no longer exist.

When I painted them, I thought they were brilliant–my very best work!  Now, they seem so crudely done.  I clearly had little understanding of the proportions of the human figure (note the glaring lack of torso in “Summer”–yeesh!) but even so, I think they were successful on some level.  I conveyed the emotions that I attach to each of the 4 seasons.  Am I a cold-weather girl or a hot-weather girl?  Bet you can guess!

In doing this project, I also taught myself some important lessons about color palettes and how to choose colors that embody the mood I’m going for.

Spring

Summer

Fall

Winter

Whenever I look back at my crude older work, I’m thankful at how far I have come in improving my skills, and I’m also reminded of how far I still have to go.  So I get a dose of self-confidence alongside a dose of humility, and I firmly believe both are necessary to the development of any artistic pursuit.

2010 Colors

Cedar Lee January 5th, 2010

Thanks to Alyson B. Stanfield for alerting me to the news that the Pantone Color Institute has unveiled turquoise as 2010’s “color of the year.”

It got me thinking about the colors I’m excited about using in my paintings this year.  I hadn’t realized it, but in the part of my brain designated for filing away visual-delights-to-put-into-future-art, I’ve been dreaming about painting in rich, warm, gold tones.  Sunny yellowy orangy colors–more along the lines of the “Hope for Tomorrow” color that’s currently in first place for color of the year in this public poll.

I’m currently working on finishing a group of Sunflower Heart paintings, which is a perfect opportunity to play with those colors.

Happy New Year!

Happy Holidays!

Cedar Lee December 19th, 2009

The winter solstice is in two days and where I live we’ve gotten almost two feet of snow in the past 24 hours!  I’ve baked peanut butter chocolate chip cookies and I’m feeling good.  I’m eagerly preparing to spend my Christmas and New Years with family and friends.

This poor blog has been abandoned for the past 2 months as I’ve focused on the major life change of new parenthood, and I’ve missed posting here.  I’m looking forward to reinstating my regular blog-writing schedule in the new year.

My baby son will be going to work with me in the studio every day starting next month.   Historically, my cat and my two black labs have been my only studio companions.  Now this little guy will be hanging out in the studio as well:

baby

As a result I predict my work habits will be changed–instead of long dawdling hours at the easel,  I will work in short, intense spurts of productivity.  I’m interested to see how these forced time constraints will affect my art, and I think as a matter of course my new work will be infused with spontaneity and decisive energy.  I intend to jump right in and accomplish whatever I can in whatever way that works.

I’ve been thinking a lot about the coming year, becoming inspired and motivated.  I know from experience the power I can harness just by focusing my energies, however meager those energies may be.  So I’ve got goals and I’m making them official!

My list of New Year’s Resolutions includes the completion of renovations to my new studio space, the completion of a certain number of paintings in each series, regular upkeep and improvement to my website, and other professional goals involving exhibiting my work and cultivating my relationships with art galleries.

The blank canvases are waiting to be filled–I can’t wait!

paintonpalette2

Happy Holidays to you all–see you in 2010!

Announcing Baby Z

Cedar Lee October 11th, 2009

I had my baby 9 hours after my last blog post.  As it turns out, it was probably not the best idea to stay up till 5 am that night working on my website, because I woke up at 7 am in active labor.  Luckily everything went smoothly, quickly and wonderfully!

Z was born on October 4th at 2 pm, weighing 7 pounds 13 ounces.  He has a lusty cry and a voracious appetite, and he was given a clean bill of health by the pediatrician.

Today Z is one week old, and we’ve finally gotten around to taking our first family photo.

First family photo

Z is 3 or 4 days old here:

I’m dreaming of the new art I will make when I go back to work, but for now I’m off to enjoy my babymoon!

Re-Vamped Online Gallery

Cedar Lee October 4th, 2009

Okay–so, I’m not so great at this not-working thing.

I’ve just spent many hours re-designing the gallery page of my website to more clearly represent my current focus.

Check it out!  ArtByCedar.com/gallery

I’ve got more updates to my site in mind, but it’s currently after 4 am, so I’m calling it a night.

Two of my favorite paintings have just sold, Fiery Sky and Awakening.  I am actually quite sad about this because I had priced them too low and I’ll never see them again.  Fiery Sky was my absolute favorite painting.  A few days after sending it to the gallery, and it’s gone.  But I know in my heart of hearts that I’d rather all my work be out in the world being seen and enjoyed by others.  Sending them out there makes room for the new work to come in.

Fiery Sky

Fiery Sky

Awakening

Awakening

I’ll have a lot to do when I get back to painting full time.

Alright–maternity leaves officially starts………..NOW!

On Maternity Leave, Officially

Cedar Lee October 2nd, 2009

Over the past month I’ve successfully gotten a couple dozen paintings prepared, delivered, and shipped out to their various new homes and up onto art gallery walls to be displayed and sold!  As of a few days ago, I’ve officially declared that my maternity leave has begun.

This photo of me was taken a couple of weeks ago, at about 37 weeks pregnant with my first child:

Pregnant in Tree

At that point I was still climbing trees.  Now, not so much!  My estimated due date is now fast approaching, and I’ve shifted my focus inward for the time being.  You can expect things to get quiet around here for awhile, but I’ll check in when I can.

I plan to get back to work in the studio in January and start releasing new works again by February.  I won’t be taking on any new commissioned work until February.

Looking ahead to 2010, my artistic efforts next year will be focused on further developing several ongoing series’:

Sunflower Series

Sunflower Heart III

Lotus Series

Lotus XIV

Looking Up Series

Autumns Meridian

Cosmic Dance Series

cosmic dance ii

For the past 9 months, the same creative energy I put into my work has also been going into the creation of a new baby.  Now that same energy will form the start of a new family.  It is a never-ending process of growth.  Please keep me in your thoughts as I embark on this adventure!

Sunflower Hearts!

Cedar Lee September 13th, 2009

New sunflower paintings!

I really love these.  They’re quite abstract and not entirely botanically accurate.  They’re based on real flowers, but are not so much about realism as they are about getting lost in the exquisite patterns in the hearts of my own personal fantasy sunflowers.  I had fun painting them.

The vibrant colors command your attention immediately, while the intricate details ask to be examined more closely.  They are quite intense, which I think makes them perfect for adding color and interest to a room that needs it.  When hung on the wall, they make an arresting focal point.  I love looking at them!

I most definitely have plans to make more of these in the future.

They are all oils on 16″ x 16″ x 1.5″ hardboard panels.

Sunflower Heart I

Sunflower Painting by Cedar Lee: Sunflower Heart I

Sunflower Heart II

Sunflower Painting by Cedar Lee: Sunflower Heart II

Sunflower Heart III

Sunflower Painting by Cedar Lee: Sunflower Heart III

Sunflower Heart IV

Sunflower Painting by Cedar Lee: Sunflower Heart IV

They can be displayed in a row:

Sunflower Art Displayed in a Room

Or a grid:

Sunflower Art Displayed in a Room

Or in any way you want!

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