Tips for Aspiring Artists

August 29th, 2009

I have a lot of new paintings, but I’m waiting till they’re dry to photograph them all at once.  There will be a big “new sunflowers!” blog next week.

A sneak peek at the drying rack!

Sunflower Art on Drying Rack

Sometimes artists come to me and ask if I can give them some general advice or ideas for getting their work out into the world and selling it.  It’s always hard to answer this question because there are so many approaches one might take.  It depends on your artwork, your audience, and your specific goals.  I only know what’s worked for me over the past few years.

I’ve settled into a track of gallery representation alongside self-representation through my website, and I carefully balance the two.  Some artists just choose one or the other.  Other ways to sell your art include art dealers, interior designers, arts & crafts trade shows, the eBay & Etsy route, wholesaling, roadside stands, alternative venues like retail stores, office buildings, restaurants, etc., and many other tacks.  There’s no reason why you have to stick to only one, although some approaches are more all-consuming.

I tried to narrow down my limited but valuable experience into a few things that have worked well for me.  These are the things I would tell any artist who asks me how I got here from where I started (which was nowhere):

Tip 1

Above all else, I’ve never stopped developing and improving my work.  My progress at times has been slower than I would have liked, but improving my technical skill and my finished work has been, and always will be, an ongoing goal.

One tip for aspiring painters that seems like common sense but is often overlooked is that your paintings must be completely finished, polished, and ready to hang in someone’s beautiful home.  Take care with the hanging wires and the frames.  If unframed, make sure the edges of your canvas are finished in an attractive way–no staples!  Use high-quality materials.  Sign your work in a consistent way.

Tip 2

I worked very hard to find galleries that were a good fit for my work, run by people who were a good fit for me.  Once involved with a new gallery, I’ve worked hard to cultivate relationships and I’ve tried to always give the gallery owners what they want and what they need.  Generosity, professionalism, good communication, and consistent follow-up are all very important.  You help them and they’ll help you!  This goes for any business relationship, not just ones with galleries.

Tip 3

I dove headfirst into the Internet.  Since the inception of my website in 2006 (it was quite pitiful at the time) I’ve been constantly working on improving it and becoming more and more connected.  I’ve learned about web directories and SEO, I’ve exchanged links, I’ve spent many many hours designing the look of my site, and I’ve periodically re-arranged things so my content is always fresh.  I try to blog regularly and on a loose schedule.

Once your website is together, you’ve got to make sure people know it’s there.  I’m diligent about spending time on online social networking sites every single day.  My email signature includes links to all the places I can be found online.  Over time, my website has become more connected, has gotten better Google rankings, and has brought me many sales.

You can never go wrong with social networking in person either.  I try to reach out to everyone I meet–I bring business cards everywhere, which direct people to aforementioned website, and give them to everyone.

Tip 4

And this tip is very hard to do but has always worked in my favor when I’ve done it successfully.  Never give up.  Be positive, and always project positivity.

For years, I have planted seeds in as many ways & places I could think of, and eventually things happened.  A lot of things I tried were dead ends.  But I think that any action, even if it doesn’t appear to lead to anything, is good.  Sometimes you’re planting seeds for the future and you don’t realize it.  Sometimes just the experience of putting yourself out there will benefit you in ways you never imagined.  Decisions without actions are just thoughts.

Sometimes these “baby steps” are teetering and unstable.  Sometimes they swerve off in odd directions and have to find their way back to the path.  Sometimes they trip and stumble.  But they are steps.

At times, I’ve been in a very dark and hopeless state.  But I’ve always dug out of these ruts and found my way towards the next step.  Try not to dwell in those dark places.  And don’t talk about it publicly!  You may be a blubbering heap on the floor, convinced that you will never amount to anything no matter how hard you work.  But if you spend time voicing your worries about your lack of talent, your lack of sales, or whatever, you will only project desperation.  You will inspire people’s pity instead of their interest and support.

The path of the creative professional can be very isolating.  You won’t survive if you can’t rally yourself.  You must be able to find hope and optimism within yourself, and to replenish those reserves when they run low.  You must be self-motivated and ruggedly self-sufficient.  Before I embarked on this path, it never occurred to me that I would have to be quite so tough.  But if you aren’t tough, you won’t get anywhere.  It sounds harsh, but there it is.

Projecting positivity out into the world, as abstract as that sounds, has been the single biggest factor in all the success I’ve ever had.  One of my favorite poems of all time is “Solitude” by Ella Wheeler Wilcox, who knew exactly what I’m talking about and phrased it beautifully:

Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it’s mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.

Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life’s gall.

Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.

Ready-Made vs. Handmade Canvases

August 10th, 2009

A friend recently asked me whether I buy my canvases pre-stretched or build my own.  I used to cut the wood for all my canvases, then stretch and prime the canvases myself.  Then I realized how much work and time went into those processes, and decided that time would be better spent painting.

So now I buy most of my canvases ready-made, usually from Dick Blick.  I really like Dick Blick because they give bulk discounts–if you buy a certain number of canvases of one type, usually 3 or 5 at a time, the price per canvas goes down.  They also give free shipping for orders over $200, which mine always are.  Their selection is great and you can actually get surprisingly high-quality pre-stretched canvases for a good price.

Ready-made canvases in my studio, waiting to be painted on:

Ready-Made Canvases

That said, there’s nothing quite like a handmade canvas–the care that I take with all the details, especially the choice of wood and the strong bracing, makes my handmade canvases really nice.  Bracing is not so important for smaller-sized canvases, so it makes sense for me to buy those ready-made.  You can get ready-made large canvases with really nice, strong bracing, but at that point it’s usually more economical to do it yourself.

So I make all my large canvases myself (which I use for some of the larger “Looking Up” tree paintings) –and by large I mean larger than about 30″ x 40″.  The largest one I’ve built so far was 4′ x 6′.  Building canvases can be fun.  There’s quite an art to it and I still have more to learn.

Here are some of my handmade canvases.  The 2 on the left are finished (note the nice bracing!)  The ones on the right with the loose fabric have already been built but the canvas has yet to be stretched.

Handmade Canvases

Some of my work (my Sunflower series) is done on hardboard panels, which I also get from Dick Blick.  It wouldn’t be too hard to purchase large sheets of artist-grade (acid-free!) hardboard, cut them to size myself, attach them to wooden frames, and prime them.  But buying them already prepared, at least in the small sizes I work with, is definitely the more economical choice, and I don’t have to sacrifice quality.

Ready-Made Hardboard Panels

However, just like with canvases, once you get into the really large sizes, it’s always more economical to prepare hardboard for painting yourself.

Whether you make your canvases yourself or buy them ready-made, you’re going to have to spend some money.  If you make them yourself, you’re also going to spend some time, and you’re going to have to develop some skills and have the necessary tools.  If you have the skills and the tools, making them yourself will likely be cheaper.  (Although sometimes it’s not!)

But don’t forget to factor in the value of your time–once I sat down and calculated this, the choice was clear to go with ready-made canvases, as long as I don’t sacrifice quality, whenever possible.

On the other hand, I recognize that building and stretching your own canvases can be meditative and satisfying, and adds to the overall process of making your art.  Because my goal as an artist is to sell my work, I find that it’s worth it to give up some of that process in order to increase my production of new work.  If art-making were not how I made my living, I might have a different take on this–I suspect I might even be a “handmade canvas snob,” insisting that ready-made canvases are inauthentic and therefore inferior.  LOL!

I’d be interested to hear what canvas choices other painters are making, and why.

How to Build a Shipping Crate, Lotus Art in Progress

July 16th, 2009

This week I had to ship a large painting across the country, and I decided to take detailed step-by-step photos as I was building my heavy-duty shipping crate.  This will be most helpful to artists who need to ship large 2D artwork and want to build their own shipping crates, but even if you have no such need, it still might interest you: Click here to see.

I’m currently working on 3 new Lotus paintings all at once, laid out around me on the floor of the studio.  I’m almost done filling in very rough, big blocks of color on all of them.  I’m about to start adding detail and definition.  You can expect pictures of my new Lotus flower art within the next few days as I finish them up!

Here are a few teensy sneak peeks at the works in progress:

Lotus Art in Progress

Lotus Art in Progress

Lotus Art in Progress

This weekend I plan to go with friends to check out Artscape, Baltimore, MD’s annual summer arts festival.

I have never participated as an artist there, mostly because I never seem to have enough artwork in stock to fill a whole booth.  It’s the kind of thing I’d have to plan many months ahead of time.  This year I never even considered entering Artscape because I’ve been so busy making enough art to keep my three galleries supplied, and to replace paintings I’ve sold.  This, I suppose, is a good thing.  But I think I might like to participate in an arts festival at some point in the future.  For now, I’m happy to go downtown and experience the festival as a member of the throngs of spectators.

Brotherhood & Sisterhood of Artists

June 22nd, 2009

Robert Genn is a Canadian landscape painter who sends out a twice-weekly email newsletter to thousands of artists all around the world. He’s about 40 years older than me, so he has a lot of wisdom to rub off on me. His good attitudes about the practice of art and life in general have been such an inspiration to me since I subscribed to his letters a couple of years ago.

You can check out Robert Genn’s letters and subscribe to get them in your email at painterskeys.com.

In one of his recent letters, Robert Genn says, “Lone workers as we tend to be, the Twice-Weekly Letters may be simply a way to remind us we are not alone.” This observation got me thinking about how artists support each other and teach each other now in ways that weren’t possible before the Internet.

Another resource I like to tell people about is WetCanvas.com, the largest online discussion forum for artists. It’s a huge repository of information, and a great place to go to share with other artists about technique in every medium, art business practices, and anything you can think of that applies to artists. I spent a lot of time there a couple years ago. I’m not active on WetCanvas anymore, but occasionally I’ll go there when I have a question, and I always find answers.

Although Myspace has been in decline since Facebook became wildly popular this year, Myspace has allowed me to befriend many painters, sculptors, photographers, jewelers, potters, woodworkers, you name it, with staggering amounts of talent. The variety of incredible artwork to be found on Myspace will astound you–if you have time, go to my Myspace page, Myspace.com/CedarLee and browse through my friends list there. I’ve recently started meeting a lot of fellow artists on Facebook and Twitter too.

And there seems to be an infinite number of artists in the blogosphere–I’ve encountered so many amazing people by stumbling on their blogs or by them finding mine. There are simply too many artists out there freely sharing their work and their thoughts about art to ever keep up with.

Seeing all this creativity and the success of others definitely keeps me humble and inspired to be better. It’s good to know that for any problem I’m struggling with in my work or in my career, there are nice people out there who have experience and are generous with their time and knowledge if I get stuck.

At the same time, I get messages all the time from artists who watch my videos on YouTube or who came across my website and are looking for guidance. I remember how clueless I felt when I was just starting out, and knew little more than that I wanted to be an artist.  It’s surprisingly fulfilling–gives me a warm fuzzy feeling–every time I’m able to help someone out who needs encouragement or just needs to be pointed in a direction.

Some of my online acquaintances have even led to real friendships in the real world!

I’m not sure where I’m going with all this, but I figured people who are not part of this worldwide community of online artists may not know how much we lean on each other, so I wanted to call attention to the “brotherhood and sisterhood of artists.”  It’s one of the things I love most about my chosen profession.

I’ll never run out of things to learn and things to teach.  The willingness of artists to connect with each other makes a lot of things possible.

How to Choose a Frame

December 9th, 2008

Okay, so I’ve finally come to the last question on my “Art FAQ” list! To those of you who already know all the information I’ve covered, or were not interested in these questions, thanks for hanging in there with me.  Now it’s back to my regular postings of new artwork and news from me.

And for those of you who really wanted this info, I hope I’ve given some practical advice and helped you understand a little more about the art world.

The last topic from my list is:

How to Frame & Display Art

Most of my paintings are gallery-wrapped with the sides painted, so framing is not necessary.  Depending on the color of the wall, I think paintings are usually very striking when displayed like this.

Gallery Wrapped Painting

However, in the event you ever want to frame one of my pieces for a more finished look or to match the décor of your home, or if you ever buy a painting from another artist and want to frame it, here are some things to keep in mind when choosing a frame, as well as some examples of nice framing I pulled from a cursory Google image search.

  • Avoid chintzy-looking frames of poor quality. You don’t have to buy the most expensive frame, but don’t buy the cheapest thing either. No matter how beautiful the painting is, if the frame is made of flimsy plastic and looks like it might break if you look at it wrong, it’s going to cheapen the overall look of the artwork. If you’re going to the trouble of framing a painting, choose something nice.

Frame Example 1

Frame Example 2

  • You shouldn’t necessarily match the color of the frame exactly to the colors in the painting. Instead, choose a frame that complements the colors without overpowering them or blending in with them. The frame should showcase the art, not distract from it.

Frame Example 3

  • Think about the setting where you plan to hang the art. A neutral-looking frame will fit in pretty much anywhere, but you can also choose a frame to fit in with your particular décor. Ornate gold frames look classy in a room with dark furniture and plush rugs. Bold black frames or frames in cool silvery tones will accent an uncluttered room with a sleek, contemporary style. Wood frames and frames in warm, earthy tones look good in a casual, homey setting. Think about the colors of your walls, floors, and furnishings.

Frame Example 4

Frame Example 5

  • Think about the width of the frame in proportion to the painting. If a painting is huge and colorful, it can generally hold its own as a wall piece, and will probably look great in a simple strip frame. Respectively, a wide or ornate frame can give a small piece a more commanding presence.

Frame Example 6

  • When in doubt, keep it simple and neutral. Metal frames in grey, gold or black and simple wooden frames always look elegant. And if you need a second opinion, you can ask the friendly people at your local frame shop for advice.

Frame Example 7


1888 Articles Featured
How to Frame and Display Art
Cedar Lee @ 1888Articles.com

I’ve got so much work on my plate right now and I’m feeling tired and frazzled!  I had to turn down a few requests for Christmas-gift commissions because there’s simply not enough time to do them before Christmas.  :-(

I just ordered a huge number of blank canvases so I’ll start the New Year prepared.  The possibilities are so exciting!

How to Hang a Painting

December 5th, 2008

A good question to ask, always, before purchasing any kind of art to hang on your wall, is: Do I have the wall space?

If you’re like me, very familiar with certain measurements because you see them all the time, like 16” x 20”, 24” x 36”, etc. then you might be able to tell at a glance whether or not there’s room on your blank wall to hang a painting.

But chances are most people will need to measure to make sure. Aside from just measuring the wall with a measuring tape, I would also recommend taking it one step further to really get an idea of what a painting of a certain size would look like in that spot.

Take a large sheet of scrap cardboard, poster board, or anything you can get your hands on that’s large enough. It can be destined for the trash—doesn’t matter. You may have to take several sheets of paper and tape them together. Just figure out a way to create a rectangle the exact size of the painting. You can then hold this up on the wall and really visualize what it’ll be like.

Placement of artwork is no sweat if you’ve got a natural talent for interior design.  This is for those of us who don’t:

The painting should not take up all of the available space, if you can help it. It is good to have a certain amount of what I call “buffer” around the painting to give a place for the eye to rest.

Here’s what it looks like when you don’t leave enough “buffer.”

Too Big for the Space!

If you have a large wall, don’t be afraid to leave some of it blank. When you do this it showcases the artwork more elegantly. (If you’ve ever walked into an upscale art gallery, you know what I mean. Such spaces normally have gleaming wooden floors, clean white walls, excellent lighting, and little more. Artwork in this setting takes on a feeling of importance, as there is often just one painting per wall.)

At the same time, you also want the artwork to make a statement. If you hang a small painting on a large wall, it may not have the kind of visual impact you’re looking for.

Here’s what happens when the painting is too small for the wall.

Too Small for the Space!

So when you’re decorating, try to choose artwork for your space that is not too big, not too small, but just right.

Just Right.

Once you’ve selected your new artwork, determined where it will go, and finally got it home, hanging it on the wall is a simple, if specific, process.


How to Hang a Painting

You will need a picture hanging hook, a pencil, a measuring tape, a hammer and a level.

The first thing you need to do is find the point on your wall where you want the center of the painting to be.  You may need to measure if you want it exactly centered on a wall, but in most cases it is okay to eyeball it.  Mark the spot with a piece of masking tape or a small pencil mark.

Then measure the length of the painting (from top to bottom) and find the midpoint by dividing that number in half.  Say your painting is 30” high x 24” wide.  The vertical midpoint would be 15” from both the top and bottom edges.  You want this imaginary line to be at eye level when the painting is hung on the wall.

Hanging Art 1

The average person’s eye level is at about 60” from the floor.  If you are taller or shorter than average, you can use a measuring tape to figure out where your eye level is.  Let’s assume in this case that it’s 60”.

The back of the painting should have a hanging wire installed.  (If it doesn’t, you can get picture hanging wire and screw eyes from a hardware store.  The screw eyes should always go about 1/3 of the way down from the top edge of the painting, the wire should be at least 2” from the top edge of the painting when pulled taut, and it should be coiled tightly and neatly so it’s secure.  But that’s a whole other subject.)

Hanging Art 2

You want to pull the wire up towards the center of the painting’s top edge, just as if it were hanging on the wall and gravity were pulling it taut.  Measure the distance from the wire to the top edge of the painting.

Hanging Art 3

The number you need is the measurement from the “eye level” line, or vertical midpoint, to the point where the wire will hang on the hook.  To get this number, subtract 3” from 15”, to get 12”.  This is how high above eye level you will need to place the bottom of the hook.

Hanging Art 4

So add 12” to your eye level measurement of 60”.  You will place the bottom of the hook for this painting at 72” from the floor.  Mark this spot with a pencil dot.

Picture hanging hooks can be purchased at any hardware store.  The ones I use look like this.

Hanging Art 5

The nail goes in at an angle to really anchor it into the wall.  If you are hanging a heavy piece of art, make sure to use hooks that are rated for the proper weight.  I don’t recommend using nails because the wire can slip off of a nail.  With a hook there is no chance of that.

If you’ve measured correctly, when you hang the painting by its wire on the hook, the center of the painting should be exactly at eye level.  (If you’re off by a half inch, don’t stress about it–you won’t be able to tell by looking.)  Use a level to make sure it’s hung straight.

Hanging Art 6

Note: If a painting is much wider than it is high, for example, 24” high x 48” wide, the canvas will usually have a cross-brace in the middle.  In these cases you will have to hang the painting from 2 hooks, one on either side of the cross-brace.  When pulling the wire taut to measure its distance from the top edge, you’ll just have to pull it taut across 2 points.  It’s a little tricky but if you understand the theory, you’ll be able to get an accurate measurement.  The important thing in those cases is to use a level when installing the 2 hooks to ensure that they are placed in line with each other.

Of course a painting does not always have to be at eye level—for example, if you are hanging it above a piece of furniture or in a configuration with other paintings, eye level becomes less important.  In those cases it is usually best to eyeball it.  But once you figure out where you want the center of the painting, you can still use this method to figure out exactly where the hook should go.

Hopefully this info will be helpful to you next time you’re hanging a painting, photograph, or mirror.

How Do I Get It Home?

December 3rd, 2008

Okay–the next question from my Art FAQ list is “How do I get this home?”

Finally, a question with a simple answer!

If you are local to me (within an hour’s drive) I have no problem either arranging a convenient pick-up time for you or delivering and installing the work in your home for free. This is a nice thing I like to do, especially for people who don’t have a vehicle large enough to transport the work themselves.

If you are not local, I will ship you the artwork. Depending on the size of the artwork, shipping may cost anywhere from about $10 (for a small piece) to $100 and up if you are buying very large pieces. If a person buys multiple pieces, I often provide a discount on shipping or sometimes even free shipping.

For large pieces, I always build custom shipping crates. I pad all the edges of the painting with a type of foam tubing normally used for insulating copper pipes.

Then I build a crate that fits very snugly around the edges of the painting so it cannot shift at all. I use pine 1x2s or 1x3s for the 4 edges and Masonite hardboard for the front and back. I assemble it all with wood screws.

When the painting reaches its owner, he or she simply removes a few screws to open the crate.

I started using this method for shipping artwork a few years ago when I read a helpful tutorial by a fellow artist in one of my online art communities.

Click to read his tutorial:

Shipping Crates for Art

For small pieces, I still usually pad the edges of the work with foam, but I will build a box out of sheets of cardboard instead of a wooden crate.

Never has one of my paintings failed to reach its destination safely.

When buying from any responsible art gallery, getting the artwork home should likewise be an easy process—it is standard for galleries to arrange for shipping or delivery of large artwork for a reasonable fee.

But once you get it home, how do you hang it? Next time I’ll explain in detail my simple formula for hanging any piece of wall art at eye level!


In personal news…

I recently went to New York City for 4 days to visit my brother.  It was awesome!  We saw a great improv comedy show, ate falafel and pizza, and went shopping for books and candy.

This is me with the brother in question, circa last year:

With Ben

During my trip, I lost my glasses somewhere in the buzzing hive of the city.  There’s no telling what happened–did they slide out of my purse onto the floor of a shop or restaurant when I pulled out my wallet?  Were they crushed under hundreds of feet in the crowded subway?  I only need glasses for driving and watching movies, but they were my only pair.

I have since been to the eye doctor and ordered new glasses, which I will get this week.  The new frames I picked out are snazzy and stylish, and I’m pretty excited about them.  This time I am also getting a cheap backup pair.

While I was in New York, I also managed to pick up a nasty cold virus, which flattened me for several days last week and still has a grip on me, although I’m out of bed and working now.  Sadly, I missed Thanksgiving day with my husband’s family because I was sick.

My puppy, now going on 5 months old, has suddenly become more destructive than ever before.  My vet predicted that he was about to enter a bad “chewing phase.”  Apparently this is typical, although I don’t remember it being this bad with my first dog.

Oh man.  He has begun chewing on the corners of all the books on the bottom 2 shelves of my bookshelf.  He destroyed his own bed, pulling out all the stuffing.  He is methodically pulling up strands of fiber out of the rugs and chewing them.  He steals clothing from the hamper and chews on it–heaven forbid we forgetfully drape a shirt over the back of a chair!  He has now started stealing brushes and tools from my studio.  He found and destroyed all my wooden coasters.  He even ate my chapstick.

The only thing keeping me patient is the knowledge that he is just a teething baby, and it’s temporary, and he will respond to our training if we are consistent.

Ahh!  Stress!!  C’est la vie.  Christmas is coming up and I am feeling the crunch of deadlines.  I’m just going to be as productive as I possibly can this month, and that will have to be good enough.  I’m working on a couple commissions as well as additions to some of my ongoing series.

Here are a couple pictures of my studio today:

Canvases awaiting paint.

Studio 12/3/08

Messy desk.

Studio 12/3/08

I seem to have a lot going on at once right now.  I’ll have new paintings to show you soon!
:-)

Who Owns Art, Joey in the Sun

November 19th, 2008

What kind of a person buys art?

I’ve found that most people feel they’re not qualified to be art collectors.  There is a common misconception that art is for an elite class of people—that you have to be extraordinarily knowledgeable, cultured and rich to be able to buy original works of art.

There is definitely an established stereotype of what an “art collector” might be like.  You may picture someone who was born into money, and lives in a large house with a butler.  You may imagine this person going to black tie events, sailing on a private yacht, or speaking with great eloquence about fine wines.  This person went to an Ivy League school, is well-read and probably speaks more than one language.  These are all lovely images, and while it’s true that knowledgeable, cultured, and rich people do tend to buy art, the average art collector does not fit that stereotype.

People get this image in their minds because it’s usually the only one they’re familiar with. Everybody hears about the Van Goghs and Picassos selling for millions at auction. Rarely do you hear a news story about a middle-class person buying a piece of art made by a living artist–but it happens every day.

The truth is all kinds of people from all economic classes and professions buy original art. The only thing art collectors all have in common is that they love art enough to buy it. If you would like start an art collection, but you don’t know where to start, click here for a few pieces of general advice.

I’ve launched a new page on my website to honor my collectors and give the rest of you a glimpse of what kind of people own my work.

Click here to see notes and photos from some of my collectors!

Featured Collectors

I just finished a new pet portrait.  I think this dog is so adorable.

Joey in the Sun

16 x 12″ Acrylic on Canvas

Joey in the Sun

This was commissioned as a companion piece for my earlier painting, Rainy in the Sun.

Rainy and Joey

I’m going to the Big Apple this weekend to visit my brother, and I’ve also got plans to spend Thanksgiving with family.  I hope you are all enjoying the season and staying warm!

Art as Investment

November 14th, 2008

The weather has been pretty dreary around here–cloudy, rainy, and dark.  I’m preparing myself for the long, cold months ahead.  Winter is always a bit hard for me–I lived in tropical Florida until I was 10, and I’m a sun-loving creature of summer.  So I will choose to focus on the good things–the prospect of snow (always exciting!) and the cozy, comforting things that I associate with this time of year, like blankets, candles, and hot tea.

Candle

I have a couple of new paintings finished, but I’m waiting for a day with enough sunlight to photograph them.

Meanwhile, here’s the next Frequently Asked Art Question I’ll attempt to answer for you:

Will my art be valuable someday?

Of course I would like to say, “absolutely!” but the truth is, art’s value over time is a tricky, if not impossible, thing to predict, so you just never know. The value of my art has approximately tripled in the past 3 years, which is pretty amazing when you think about it. Even so, the dramatic short-term appreciation of my artwork may not mean all that much, say, 50 years from now.

I can certainly make predictions, but I can’t make any guarantees, especially in a time like this, when the value of money itself is so iffy.

When I take into account my level of commitment to my work, and the favorable results my work has seen so far, I predict that this upward trend will continue and the price of my paintings will increase over the course of my life. And after I die, chances are the value of my art will skyrocket—as long as an artist is fairly well established during his or her lifetime, this is usually the case.

Cedar, Gallery Show 2006

I predict that I will be a pretty well established painter by the time I die. I am only in my 20s, I’ve been selling my art full-time and professionally for less than 5 years, and I’m already represented by multiple art galleries, have had my work in multiple reputable exhibitions, and have a good track record of sales—these facts are all very promising indications of my future success. (Click here to read a few juicy tidbits about my credentials.)

But still, my general advice to art buyers would be this: Don’t buy art (mine or anyone else’s, excepting very famous dead artists) only as an investment. Buy it because you really want it and love it, and then you will never regret it. You will have the pleasure of living with the art and enjoying it as long as it is in your possession. If the artwork ends up making you money years down the line, that will be an added bonus!

I found a good article on an investment site called “The Art of Investing in Art.” The whole thing is worth reading if you are interested in the subject:

http://www.greekshares.com/art_of_art_investment.php

Here’s an excerpt:

Art speaks a language-subjective and unique. Most people who have made money over the years, haven’t bought art as an investment. Nearly everyone, from art experts to gallery owners to financial advisers, emphasize that investment should never be the sole-or even the primary-reason to buy art.

I. E. C. Haramis feels, “Collecting art can be one of the most enjoyable ways to spend money. An engaging work can provide its owner with a lifetime of visual pleasure-and then fetch cash! But investment in art should not be solely financially motivated! Buy what you love, because even though it might go through a transitory devaluation, the intrinsic value of the work will always be there!”

Recent news about the economy is pretty depressing—all doom and gloom. But I’m not too fazed by it.  The economy goes through constant fluctuations—yes, things will probably get much worse before they get better, but they will get better. I don’t know exactly what’s going to happen next in the grand scheme.  Based on what I’ve heard on the news, even economists seem bewildered, and I’m no economist.

However, I’m optimistic about my personal success even in the face of tumultuous changes in the economy. I have yet to see any decrease in my recent art sales. Meanwhile, the value in what I do will remain, in part because art is valued not only quantitatively but qualitatively as well. It’s the kind of thing that can be sold now, or 10 years from now—it will always have value as long as there are viewers who connect to it.

As my friend Alyson B. Stanfield says, “Artists are vital to every economy and contribute to the elevated spirit of great civilizations.”

New Sunflowers & Why Art is Expensive

November 4th, 2008

There are 4 new additions to my Sunflower Series.  All are 16″ x 16″ x 1.5″, oil on wood panels.

Red Sun IV

Red Sun IV

Sunspot

Sunspot

Floristan

Floristan

Ring of Fire II

Ring of Fire II

Some close-up details:

Red Sun IV Detail

Sunspot Detail

Floristan Detail

Ring of Fire II Detail 1

Ring of Fire II Detail 2

Video!

I have not forgotten that I promised to answer some common questions about art.  So, why is art so dag nab expensive anyway?  Click here to read my answer!

Another thing I commonly hear from people is something along the lines of: “Isn’t art supposed to be deep and meaningful?”  “I don’t get it.”  “I don’t understand art, but I know what I like.”  These statements really apply to abstract art, but they apply to my work as well.  So next time I will attempt to answer another doozy: “What is the meaning of art?”  (And more specifically, my art, because that I can talk about.)

Today is Election Day!  I voted about an hour ago–everyone please get out there and vote!!

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