Rules of Color Mixing

Cedar Lee January 20th, 2010

I recently expressed my excitement about the color red on Facebook, and my painter friend Ron Ogle reminded me to always use more than one shade of red when using red in a painting.

This got me thinking about the rules of the palette, and how rules can vary greatly from artist to artist.  I think that when it comes to color mixing, there is no absolute right and wrong.  What is right is a personal decision highly dependent on the individual painter’s vision, technique and process.

I asked some of my painter friends the following: Do you think there are rules for mixing colors? Do you limit your palette, and if so, what colors do you use?

Here are some of the responses I got:

“Today on my palette I have two yellows, orange, light red and alizarin crimson, sap green, cobalt, ultramarine and cerulean blues, dioxazine purple, black, lots of white. Basically the color spectrum.  From there I paint everything.  I got here mainly through doing plein-air and wishing to travel light.” ~David Nakabayashi

“I limit my color palette to 9 colors – I never mix them – for consistency reasons across my paintings.  I like the challenge of my limited palette in using to create depth in my work.”  ~Shai Steiner

“Unlimited palette here.  I visualize the color I want and go for the coolness or warmth I need and if it’s not quite right, I glaze layers over it until it’s what I want.”  ~Nancy Dunn

“I’m a slob.  I push paint around until I get what I like.”  ~Marc Pitman

I have several new Sunflower Heart paintings on a drying rack in my studio, waiting to be photographed.  Here’s a sneak peek!

My personal approach to color is to limit my palette for each painting, but I don’t use the same colors every time.  Before beginning a new painting, I think about what colors I’d like and lay them out.  I’m not “allowed” to use any colors except those for that painting (and if I’ve chosen well, I don’t want to.)

My friend Matt (not a painter, but a writer) expressed his doubt: “The way I look at it, if a painter limits his palette to a certain amount, it’s like a writer only being able to use certain words.”

You’d think that to be the case, but in my experience, limiting your palette forces you to get good at mixing colors.  If you are forced to make your own green from yellow, blue, red & white, you’ll end up with an infinite variety of interesting greens and in the process, learn a lot about green.  A literary analogy would be poetry: when writing a sonnet, you’re limited by the structure of the sonnet and are forced to find good words that fit into that structure, sound beautiful, and have meaning. You may end up being more creative as a result.

When I first started painting, I was a little kid.  I didn’t start my learning process with anything fancy–I was given only a few basic colors to start with.  Mixing colors to achieve a desired result is now second nature to me, and I only have to think about it subconsciously if at all.  I learned this skill mostly by practicing with the primary colors, red, yellow and blue, plus white.  It’s amazing what you can do with only those 4 pigments.

Tips for Aspiring Artists

Cedar Lee August 29th, 2009

I have a lot of new paintings, but I’m waiting till they’re dry to photograph them all at once.  There will be a big “new sunflowers!” blog next week.

A sneak peek at the drying rack!

Sunflower Art on Drying Rack

Sometimes artists come to me and ask if I can give them some general advice or ideas for getting their work out into the world and selling it.  It’s always hard to answer this question because there are so many approaches one might take.  It depends on your artwork, your audience, and your specific goals.  I only know what’s worked for me over the past few years.

I’ve settled into a track of gallery representation alongside self-representation through my website, and I carefully balance the two.  Some artists just choose one or the other.  Other ways to sell your art include art dealers, interior designers, arts & crafts trade shows, the eBay & Etsy route, wholesaling, roadside stands, alternative venues like retail stores, office buildings, restaurants, etc., and many other tacks.  There’s no reason why you have to stick to only one, although some approaches are more all-consuming.

I tried to narrow down my limited but valuable experience into a few things that have worked well for me.  These are the things I would tell any artist who asks me how I got here from where I started (which was nowhere):

Tip 1

Above all else, I’ve never stopped developing and improving my work.  My progress at times has been slower than I would have liked, but improving my technical skill and my finished work has been, and always will be, an ongoing goal.

One tip for aspiring painters that seems like common sense but is often overlooked is that your paintings must be completely finished, polished, and ready to hang in someone’s beautiful home.  Take care with the hanging wires and the frames.  If unframed, make sure the edges of your canvas are finished in an attractive way–no staples!  Use high-quality materials.  Sign your work in a consistent way.

Tip 2

I worked very hard to find galleries that were a good fit for my work, run by people who were a good fit for me.  Once involved with a new gallery, I’ve worked hard to cultivate relationships and I’ve tried to always give the gallery owners what they want and what they need.  Generosity, professionalism, good communication, and consistent follow-up are all very important.  You help them and they’ll help you!  This goes for any business relationship, not just ones with galleries.

Tip 3

I dove headfirst into the Internet.  Since the inception of my website in 2006 (it was quite pitiful at the time) I’ve been constantly working on improving it and becoming more and more connected.  I’ve learned about web directories and SEO, I’ve exchanged links, I’ve spent many many hours designing the look of my site, and I’ve periodically re-arranged things so my content is always fresh.  I try to blog regularly and on a loose schedule.

Once your website is together, you’ve got to make sure people know it’s there.  I’m diligent about spending time on online social networking sites every single day.  My email signature includes links to all the places I can be found online.  Over time, my website has become more connected, has gotten better Google rankings, and has brought me many sales.

You can never go wrong with social networking in person either.  I try to reach out to everyone I meet–I bring business cards everywhere, which direct people to aforementioned website, and give them to everyone.

Tip 4

And this tip is very hard to do but has always worked in my favor when I’ve done it successfully.  Never give up.  Be positive, and always project positivity.

For years, I have planted seeds in as many ways & places I could think of, and eventually things happened.  A lot of things I tried were dead ends.  But I think that any action, even if it doesn’t appear to lead to anything, is good.  Sometimes you’re planting seeds for the future and you don’t realize it.  Sometimes just the experience of putting yourself out there will benefit you in ways you never imagined.  Decisions without actions are just thoughts.

Sometimes these “baby steps” are teetering and unstable.  Sometimes they swerve off in odd directions and have to find their way back to the path.  Sometimes they trip and stumble.  But they are steps.

At times, I’ve been in a very dark and hopeless state.  But I’ve always dug out of these ruts and found my way towards the next step.  Try not to dwell in those dark places.  And don’t talk about it publicly!  You may be a blubbering heap on the floor, convinced that you will never amount to anything no matter how hard you work.  But if you spend time voicing your worries about your lack of talent, your lack of sales, or whatever, you will only project desperation.  You will inspire people’s pity instead of their interest and support.

The path of the creative professional can be very isolating.  You won’t survive if you can’t rally yourself.  You must be able to find hope and optimism within yourself, and to replenish those reserves when they run low.  You must be self-motivated and ruggedly self-sufficient.  Before I embarked on this path, it never occurred to me that I would have to be quite so tough.  But if you aren’t tough, you won’t get anywhere.  It sounds harsh, but there it is.

Projecting positivity out into the world, as abstract as that sounds, has been the single biggest factor in all the success I’ve ever had.  One of my favorite poems of all time is “Solitude” by Ella Wheeler Wilcox, who knew exactly what I’m talking about and phrased it beautifully:

Laugh, and the world laughs with you;
Weep, and you weep alone.
For the sad old earth must borrow it’s mirth,
But has trouble enough of its own.
Sing, and the hills will answer;
Sigh, it is lost on the air.
The echoes bound to a joyful sound,
But shrink from voicing care.

Rejoice, and men will seek you;
Grieve, and they turn and go.
They want full measure of all your pleasure,
But they do not need your woe.
Be glad, and your friends are many;
Be sad, and you lose them all.
There are none to decline your nectared wine,
But alone you must drink life’s gall.

Feast, and your halls are crowded;
Fast, and the world goes by.
Succeed and give, and it helps you live,
But no man can help you die.
There is room in the halls of pleasure
For a long and lordly train,
But one by one we must all file on
Through the narrow aisles of pain.

Creative Beginnings

Cedar Lee July 28th, 2009

A friend on Facebook recently told me, “I want to know the story of the first time you picked up a paint brush and started painting.”

That’s a hard story to tell because I have no recollection of one such time.  I’ve read many stories of artists who “became artists” at some point in their lives–how at some point, they experimentally picked up some art supplies and began playing, and this moment for them became a turning point, a great discovery and a spiritual awakening to their true creative purpose.  Maybe before that moment they had worked for an insurance company; maybe they had always had dreams of pursuing art but had been too scared to try.  Maybe for them their love of making art was a completely unexpected discovery.

I wish I had a dramatic and inspiring story like that, but I just don’t.  I have always been a visual artist, and I have always painted.  I became more focused on the specific medium of painting around the age of 12, but my entire childhood before that, there was never a time when I didn’t spend at least some of my time painting.  It’s not the only interest I’ve ever had, but it’s always been there.

It’s impossible for me to pinpoint a time when I became “serious” about my art.  My art is a part of me, and I gradually became more serious about it as I grew into an adult and became more serious about everything in life (and of course, as better art supplies became available to me.)  People have told me that I’m lucky to have such a clear vision of my calling, and that many people never find that clarity even after a lifetime of searching.  I don’t know if that’s true, and I don’t know how lucky I am, but it is what it is.  I can’t imagine being any other way.

It’s hard to say how I got that way, but I’ll attempt to explain my creative beginnings.

I think all children are dreamers and creators.  The thrill of creating–of using our minds and our hands to make things, is natural.  I’m happy I’ve kept that spirit of creativity, and I attribute a lot of that to the way I was raised.

I don’t know if I would have been born a painter had I been born into a different family.  My parents never at any point discouraged me from following my interests.  I know that in many families, sad as it is, many a child’s interest in art has been quickly labeled as a frivolous pursuit and mercilessly squelched before the interest had time to take physical form.  I know that not every child grows up with stacks of paper, crayons and watercolors readily at hand.

Neither of my parents is a visual artist, but my mom and dad are two of the most enterprising people I know.  They practice creativity as a value to be lived.  If you have an exciting idea, a wish or a dream, it’s at least worth a try to make it real.  If your efforts fail, you can re-evaluate and try again.  If you want to do something, do it!

Some of my earliest memories are of helping my parents with hands-on projects.  I wrote the following poem when I was in college.  It’s about the idea of yin and yang in all of us, how we are each created from both male and female, and how each person has two opposing and complementary types of energy within them.  It’s a concept that’s always fascinated me.

But in a more specific sense, it’s about my mom and my dad, and how they both infused me with creative energy by sharing small, practical creative actions with me on a regular basis–little things like my mom teaching me to mix paint and to make scented herbal satchels and fresh orange juice.  My dad teaching me the basics of carpentry–measuring and cutting wood.

Equilibrium

Clinking wind-chime bells, she is yin.
She teaches me to mix creamy colors
in the concave cups of a rounded palette.
Add some white, turn red to pink.
We sew tiny beaded pouches,
fill them with dried lavender and mint.
Collect drops of sweet thin juice
from ample oranges by the kitchen sink.

Rumbling wooden drums, he is yang.
He teaches me to hammer nails in wood.
We measure, heads together, draw pencil marks.
Run the orange extension cord
under the sawhorse.  Allow the scream
of the electric saw, plowing through a board
and the fragrance of spitted sawdust
to infiltrate our heads.  Our pulses thud.

But painted colors, big and bold, are yang.
And floating flurries of sprinkled sawdust, yin.
By being themselves they make each other
—and me.  I beat my path out fiercely, like the sun,
but also whisper, like the floating moon.

So at some point, probably as a toddler, I decided to make a painting, probably a crude smear of finger paint.  Then I decided to make another one.  Then I never stopped.  Maybe someday, if I live long enough, I’ll get good.

Brotherhood & Sisterhood of Artists

Cedar Lee June 22nd, 2009

Robert Genn is a Canadian landscape painter who sends out a twice-weekly email newsletter to thousands of artists all around the world. He’s about 40 years older than me, so he has a lot of wisdom to rub off on me. His good attitudes about the practice of art and life in general have been such an inspiration to me since I subscribed to his letters a couple of years ago.

You can check out Robert Genn’s letters and subscribe to get them in your email at painterskeys.com.

In one of his recent letters, Robert Genn says, “Lone workers as we tend to be, the Twice-Weekly Letters may be simply a way to remind us we are not alone.” This observation got me thinking about how artists support each other and teach each other now in ways that weren’t possible before the Internet.

Another resource I like to tell people about is WetCanvas.com, the largest online discussion forum for artists. It’s a huge repository of information, and a great place to go to share with other artists about technique in every medium, art business practices, and anything you can think of that applies to artists. I spent a lot of time there a couple years ago. I’m not active on WetCanvas anymore, but occasionally I’ll go there when I have a question, and I always find answers.

Although Myspace has been in decline since Facebook became wildly popular this year, Myspace has allowed me to befriend many painters, sculptors, photographers, jewelers, potters, woodworkers, you name it, with staggering amounts of talent. The variety of incredible artwork to be found on Myspace will astound you–if you have time, go to my Myspace page, Myspace.com/CedarLee and browse through my friends list there. I’ve recently started meeting a lot of fellow artists on Facebook and Twitter too.

And there seems to be an infinite number of artists in the blogosphere–I’ve encountered so many amazing people by stumbling on their blogs or by them finding mine. There are simply too many artists out there freely sharing their work and their thoughts about art to ever keep up with.

Seeing all this creativity and the success of others definitely keeps me humble and inspired to be better. It’s good to know that for any problem I’m struggling with in my work or in my career, there are nice people out there who have experience and are generous with their time and knowledge if I get stuck.

At the same time, I get messages all the time from artists who watch my videos on YouTube or who came across my website and are looking for guidance. I remember how clueless I felt when I was just starting out, and knew little more than that I wanted to be an artist.  It’s surprisingly fulfilling–gives me a warm fuzzy feeling–every time I’m able to help someone out who needs encouragement or just needs to be pointed in a direction.

Some of my online acquaintances have even led to real friendships in the real world!

I’m not sure where I’m going with all this, but I figured people who are not part of this worldwide community of online artists may not know how much we lean on each other, so I wanted to call attention to the “brotherhood and sisterhood of artists.”  It’s one of the things I love most about my chosen profession.

I’ll never run out of things to learn and things to teach.  The willingness of artists to connect with each other makes a lot of things possible.

Facebook Fan Page, Talent Vs. Hard Work

Cedar Lee January 30th, 2009

If you’re on Facebook and haven’t seen it yet, I’ve finally gotten my Art By Cedar Facebook Fan Page up and running! If you enjoy my paintings of trees, flowers, and cosmic universe scenes, I invite you to visit the page and join: Click here.

Today I came across some musings I had written to myself in one of my journals:

Perfect confidence is a sign of the mediocre.  Talent comes not from some miraculous mysterious power but from an attitude of tenacity and strength.  It’s easy to give up when we fail.  Artists don’t give up–they do it again, but better–then again.  And again.  It’s a neverending process.  Good art is just a residual effect of being a good artist, which means never giving up–constantly questioning, reaching and striving.

I think I was warning myself never to become complacent, and reminding myself of the importance of hard work.

What do you think about this?  When it comes to a person’s success in whatever field of work s/he has chosen, (not limited to artistic endeavors) how important is natural talent or inclination vs. hard work and perseverance?  Do you think it takes equal amounts of both to do something well, or is one more important than the other?

Calendars, Baker Artist Awards, Meaning of Art

Cedar Lee November 7th, 2008

What is the meaning of art?  Click here to read my answer!

Also, 3 Things:

  • First: I am competing for a major local arts award and I could use your vote!

The Baker Artists Awards celebrate Baltimore’s artists on the Web with an ongoing exhibition of its diverse artistic practice, and the Mary Sawyer Baker Prize will establish Baltimore’s reputation as a creatively rich and vital place to live with a civic commitment to value its individual artists.

Please take a minute to visit my work on the Baker Artist Awards web site. As a Baltimore artist, I am eligible to win the significant Mary Sawyers Baker Prize or maybe bragging rights as Baltimore’s Choice.  Please go to the site and sign up for an account so you can vote for me!  (Click “Vote for Cedar Lee” on the right of my profile page.)

Click:

http://www.bakerartistawards.org/nomination/view/cedar_lee

  • Second: Don’t forget to get your 2009 Art By Cedar calendars! The Christmas decorations are up in the stores, which means the holiday shopping season is officially upon us. Calendars are both beautiful and practical, so they make nice gifts for family and friends…and my calendars are made in USA and support small business (mine!) So you can’t go wrong.

This year I have 2 options, “Cats & Dogs” and “Trees.” I ordered copies for myself and I assure you they are high quality and look great. The pages are thick and glossy and the colors are vivid. Last year’s calendars were cool, but these are definitely a step up!

Cats & Dogs

$19.99
Art By Cedar 2009 Cats & Dogs Calendar Available Now

Trees

$22.99
Art By Cedar 2009 Trees Calendar Available Now

I can’t believe it’s November already. Before we know it, we’ll be in December with 2009 fast approaching!

  • Third: I would just like to say that I’m looking forward to seeing what President-Elect Obama’s future administration will do for this country.  I hope and believe the future holds good things for us!

Flux

Cedar Lee January 21st, 2008

I know I haven’t been keeping in touch the past couple of weeks–I’m just in a state of flux.

I’m thinking about maybe becoming a “daily painter.” There is a whole community of daily painters online–artists who complete a small painting each day and post a picture of it online for sale the same day. I don’t know if I could do this–I guess the idea isn’t so scary if I’m working on a small scale, so I might try it and see how it goes. It would be cool to have something new to show everyone every day. Right now it’s just an idea that I’m entertaining.

If I become a daily painter, I’ll have to make sure I still have time to simultaneously work on my larger paintings. Do you remember the 2 landscapes I did last month, on multiple panels? I’m continuing on that idea of multiple panels. I have lots of ideas but I need to work on actualizing the things floating around in my mind. I’m feeling generally challenged and frustrated, like I’m in a total rut. I’ve done this long enough to realize that my “rut” is probably a sign of artistic growth, and I need to push through to the other side, where my art will eventually be richer in meaning and more polished in execution.

We’re in the process of moving all our clothes, furniture, etc. out of the bedroom so we can paint the walls a steely blue, install new baseboards, outlets and switches. We’re considering knocking all the shelves out of our closets and replacing them with large wardrobes. I’m going to paint over the ceiling mural above our bed:

BR Ceiling

and maybe replace it with a cooler ceiling mural–I’m not sure yet.

We bought our house when I was 20–I was recently looking at pictures from the time when we had just moved in. It’s amazing how drastically our home has improved over the past 6 years. I’m glad we’re the type of people that take a hundred photographs of every mundane detail of our lives. It makes it really obvious how much progress happens through the simple passage of time. Sometimes I need that reminder that if I just keep working, good things will definitely happen.

For example, here is what my “studio” looked like in 2001. (I’m not kidding.)
Studio 2001

And here is my studio today!
Studio 01/21/07

I’ve started my belly dancing classes and I’m kind of excited about it. I bought 2 jingly coin-belt hip scarves on eBay, one black and one crimson. They’re not here yet. I can’t say I’m anything close to graceful at this point, because we’ve only had one class and we’re just learning how to isolate certain muscle groups and control the movements of our ankles, knees, and hips. But even if I never get good at it, it’s still fun.

I’m making a list of galleries I want to check out as possibilities for new places to sell my work in the coming year.

We decided to take our dog to a holistic vet. He told us a lot of things that I already knew intuitively, but needed to hear from someone knowledgeable. Now I feel much more confident about taking good care of my dog. He advised us to change her diet, so now instead of dog food, she eats mostly free-range chicken, beans, rice and veggies. She eats better than a lot of people I know! We’ve only been doing this for a little more than a week. The vet says it will help her maintain a healthy weight, give her more energy and a shiny coat, improve her overall health and extend her life by years. She sure is happy at dinnertime these days.

Sailboats at Sunset, Hope, Peace, & The Shift

Cedar Lee July 30th, 2007

Here’s a new painting for you:
Sailboats at Sunset
18″ x 36″ Oil on Canvas

sailboats at sunset

It’s at times like these I wish I were a better writer. I’ve been undergoing a transformation that is hard to describe. There is an amorphous blob of energy building…in my mind? my body? (somewhere, it’s hard to say…maybe in my spirit, whatever that is.) This blob of energy is hard to define, but I know I’ve never quite felt anything like it in my life, and I know it is an impetus to action. And I know I am definitely going to use it as soon as I figure out what to do with it.

Maybe it will come out through my artwork, or maybe in other areas of my life. Maybe I’m using it already just by talking about it. It is big and it is positive! Maybe what I’m describing is just HOPE, plain and simple.

If you haven’t seen this yet, it’s worth watching, and it touches on this thing that has been happening inside me:
(It’s a video, about 5 minutes long.)
http://theshiftmovie.com/index2.html

Also, if you have not seen the movie The U.S. vs. John Lennon, I recommend it. If you’re just a little bit older than me, you were there when John Lennon was alive. When he died, I was a 6-week-old fetus in the womb.

Ever since I was a teenager I have envied the previous generation for having things like John Lennon. When compared to the previous generation, I think my generation is just as angry about war and injustice and all the evil things we see and hear about, and I think we’re just as good and we want good changes to happen just as much.

The difference is, we have somehow been conditioned to believe there is nothing we can do, and we don’t seem to have many people like John Lennon to remind us that feelings of anger and futility just exacerbate the problem, and that channeling our energy constructively, even if it doesn’t result in direct change (which it can) is still a lot better than feeling hopeless all the time.

Feelings of hopelessness have been festering inside me for years, fueled every time I hear about or see lives destroyed for no reason, the environment damaged for greed, people in power stepping on everyone else to get ahead–and on a smaller, more localized level, people around me full of hatred, disgust and apathy, fighting with each other over petty differences.

Ignorance, violence, greed and hatred–nasty, terrible things are everywhere I look, and it’s easy to get into the habit of believing that I’m just an ordinary person and there’s nothing I can do about any of it. But I am now starting to believe that ordinary people can make real changes by doing ordinary things. These things can be as simple as changing our attitudes or encouraging others to be positive. It can be as simple as recognizing that you have a voice and deciding to use it.

Check out this website: http://www.gratefulness.org/p/worldpeace.cfm

I don’t know specifically how to help create world peace, preserve our Earth, and eliminate inequality, but I know that I want to, and I know I’m not alone. Maybe humanity is not doomed after all.

If none of this blog resonates with you, then I’m probably just doing a poor job of saying it, because this desire for change is so strong in me and so evident in a lot of the people I know.

You can do something positive today, no matter how small or seemingly inconsequential. You have probably seen this before (it’s been emailed back and forth for the last decade) but it doesn’t hurt to read it again: The Global Village

Inspirations

Cedar Lee July 23rd, 2007

Ugh. Bleh. Today I am sick with a sore throat/cold and I have that weird sluggish feeling where my body is taken over and it’s like I’m detached from myself and observing everything from some distance. I don’t feel like doing anything but lying on the couch buried in a mound of blankets and pillows, watching movies all day while my Mama keeps the ginger tea and cinnamon toast coming. If only…

I am also sunburned at the moment so my skin is burning hot, which I think exacerbates that feverish detached feeling.

I went to the beach yesterday with friends…to Assateague Island. We saw wild ponies. We grilled chicken hot dogs, corn on the cob, and chunks of veggies and paneer (Indian cheese) on skewers. The waves on the beach were pretty raucous, and we got hammered by them something fierce when we braved the water. My dog was scared by the waves (with good reason) but still made many valiant attempts to take them on. I lay on the beach reading my novel in the sun for hours, which was lovely and relaxing and pleasant, but because I was kind of out of it from being sick, I forgot to apply sunscreen and got broiled.

My 26th birthday is tomorrow. I’m not celebrating it till this weekend though…my husband and some friends are taking me camping all weekend. I am really excited about that.

Then the weekend after, I am going whitewater rafting. And the week after that I’ll be going to the Outer Banks for a family reunion. I’m meeting with a new gallery next week. This summer is such a whirlwind that I can hardly keep it straight.

As far as my painting, I am working on a few themes at once right now. In order to stay at least somewhat focused/productive, I have made a very cursory list of things that inspire me. The idea is to remember to keep coming back to these things, thinking about them, and using them whenever I get stuck, which is quite often.

In no particular order:

The Sun, the Moon, the Stars
Dawn & Dusk: Night vs. Day
Changing Light
Growth: Upwards & Outwards
Birth, Death, Cycles
Flying & Things that Fly
Breath, Wind, Inhalation/Exhalation
Backlighting & Contrast
Clouds
Rolling Waves (in Air, Water, Foliage, & Topography)
Images of Abundance, Sexuality, Fertility, Fullness & Joy
Solitude
Feminine Mystery
Independence & Strength
Boldness & Audacity
Peace vs. Conflict
Storms
Circles
Spears & other Pointy Shapes
Sources of Life, Life Force (Energy/Mother Nature)
Emotive Color Schemes
Vastness

This is of course an extremely incomplete and not well-thought-out list, but I thought I would share it with you to give you a glimpse of where my art comes from and what makes me tick.

I have found that if I successfully focus on one or more of these themes while making a painting, from the planning stage until completion of the work, I can’t fail.

Artwork, Ideas, Contests, Kitchens, Dogs!

Cedar Lee April 10th, 2007

Lots and lots of things are going on in my life right now. If you are one of the lucky people subscribed to my blog, you’ll have maybe noticed this. Here are a few of the things happening this week:

Finished another portrait commission: a beautiful red-headed lass by the name of Zoe Baumgartner Brown.

Zoe
16 x 12″ Acrylic on Canvas

zoe

We are making huge progress on our kitchen remodeling! The countertops were installed yesterday. We still have to hook up the plumbing, install new electric sockets, do all the tiling, baseboards, and other trim work, install a few more components on the cabinets, put shelves in the pantry, and other minor cosmetic things. Then we can set up the fridge and the range and start moving our dishes, food, small appliances, etc. back in! So there are still a few more weeks till we’re back to normal, but the end is in sight.
Click here to see photos!

We are throwing away our old sofa! It’s ancient, has been through a lot, and is really quite disgusting if you look closely. But I’m not one to waste, so I decided to take some of the old cushions and build a tiny dog sofa out of them for Clara. She loves it!

dog sofa

I know everyone thinks their own pets are cuter than everybody else’s, but come on, really. Clara’s cuteness can just be too much sometimes.

cute clara

Just one more thing I want to share with you today. If you’re not an artist, this may help you understand some of what goes on inside us. I recently posed this question to some of my artist friends:

It seems to me that most of the time, getting to the point where I decide to paint and actually making myself START something is like, SO much harder than the actual painting part. Painting is easy once I start.

The exception to this rule would be when I’m in a creative frenzy and completely excited and inspired, in which case it’s easy to start painting….this does happen to me, but only occasionally.

It seems like I generally put as much or more effort into thinking/dreaming about what I’ll paint, and analyzing the possibilities, than I put into the part where I’m actually applying paint to the canvas.

Any of my painter friends ever feel this way too?

Here are a few of the responses I received:

Figuring out what to do, planning/sketching, takes just as long as really completing it! A lot of planning, time, and energy goes into the composition and details so it comes out looking polished in the end.

I sometimes find myself spending more time looking at what inspires me to paint than the actual process of painting. I have to kind of kick myself in the butt and tell myself to just get down to my studio and paint and stop thinking about everything I want to paint.
When I do get in the mode of painting though, everything is good and usually amazing things are happening. I just need to stay focused more on bodies of work and not jump around so much between so many mediums and things that interest me. I sometimes feel that I’m a young boy again and the world is my candy store. Completely overwhelming, in a good way though.

I keep a large file box of inspirational/reference pictures…magazine pictures, greeting cards, wrapping paper, old calendars, my own photos. When I am stuck I browse through my box and can usually find some element that will spark my interest. Most often I will find an element in several pictures that come together as a new concept. I am convinced the act of daily painting will ultimately bring out “our best” in painting. So, I have recently committed to the act of daily painting or drawing. (Most of which nobody will ever see.) The more I paint the easier it is to get started on the next …then LIFE throws me an interruption and I get all rusty and have to START again. I think that is the way it is supposed to be.

I spend hours and days stressing and beating myself up over starting a painting. For some reason it feels like the most difficult thing ever to just begin the damn painting. And it seems like at the most inconvenient times (like when I’m at work) is when I actually feel motivated enough to create something. It truly kills me, especially when I have nothing else to do and I feel like I should be spending all of my time creating art.

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