My New Studio & Mysterious Night

January 13th, 2012

I just leased a studio space in the ArtHatch building in Escondido, CA!

Here is the building:

The place is incredible. There is a spacious art gallery downstairs, and 14 artists’ studios upstairs. Every wall is covered in beautiful, thought-provoking, mouth-watering, skillfully done artwork. Like, just, unbelievable. I feel honored to be a part of the creative energy in this space. I was so tickled to see the work of several artists I recognized from my social circles online, hanging in the gallery!

I won’t be set up there until next week. I’ve painted the walls of my studio a nice butter cream color and I’m going to be hanging some of my work there tonight.

FYI if you live in the San Diego area, there is an event happening from 8 pm tonight (Friday) until 10 pm tomorrow (Saturday) called Art-A-Thon. 25 local artists will be working for 24 hours straight. All artwork created will be auctioned with all bids starting at $25 per piece, so some people are going to get insane deals on original art! The proceeds will go towards ArtHatch’s teen program, which provides studio space, art supplies, and mentorship to teen artists. Pretty cool. I have already signed up to mentor a teen. :)

So please stop by if you can! I won’t be doing the 24-hour thing, but I will be around for part of tonight and tomorrow afternoon and evening. Details at ArtHatch.org.

Now for my first new painting of 2012. It’s about time!

Mysterious Night, 30 x 40″, Oil on Canvas:

This painting shows the Tree of Life under a moonlit, starry sky. An almost-full moon gleams between the tree’s branches, which are limned in moonlight.

The huge gnarly tree trunk divides into many roots.

And the stars are giant, softly glowing, otherworldly orbs in a deep blue-gray sky.

Here’s what this painting might look like in a beautifully minimalist, black and white high-ceilinged bedroom.

 

Last Week’s Open Studio

June 26th, 2011

Last Saturday, June 18th, my Nesting Sale came to a close and I hosted an Open Studio event in my home (since my studio is in my home.) I had 50 paintings on display on every wall of my house. Of those 50, 37 of them sold, which I consider a huge success! For the most part, the paintings I kept were the ones I wanted to keep (for a future exhibit I’m planning) as I hadn’t marked them down very much. So it worked out perfectly!

The Open Studio started off slow as people trickled in, then a throng of people arrived all at once. There were quite a few small children in attendance and the atmosphere became boisterous! The whole thing was so much fun. Here are a few photos I took (last-minute, with my cell phone, sorry…) before everyone arrived.

Bedroom–I MUST make a new painting to hang in place of this one, which sold!

My husband’s office had all the seascapes.

 

Blazington followed me around while I was photographing and wanted to pose for this one:

Blazington’s room with some of the smaller pieces.

Even the bathroom had art on every wall:

This painting was raffled off to a winner at the end of the event. People had a lot of fun trying to buy the perfect number of raffle tickets to increase their odds, and we did a random drawing to determine the winner. She was so excited!

I prepared a spread of snacks and drinks for everyone:

Including sangria!

And all your typical art opening staples (grapes, cheese, crackers, veggies & dip, cookies.)

The studio was jam-packed with artwork! (Sorry for the poor lighting in these photos.)

I spent the following 4 days packing sold artwork as fast as I could. Thursday was shipping day, when 22 paintings were shipped off far and wide to their new owners. (Including one to a nice fellow in Sweden!) The remaining 15 paintings were claimed by local people, and most have picked theirs up now.

My handsome dog Blake wanted to pose in this one:

I was surprised at how emotional I got saying goodbye to some of that artwork–it was bittersweet taking one last look at each one before I closed it into its shipping box. I created these paintings, and have lived with them and loved them well. Now that so many are gone, my home and studio feel so bare! But that was my intent after all–out with the old, in with the new! And it makes me happy to think of all that art now being enjoyed by so many different people in different places.

There will be plenty more paintings, lovely, exciting, inspired ones, in the future. But I’ve been telling everyone that it may take me awhile. July 1st I’m officially going on “maternity leave” to await my new baby’s arrival, and I don’t plan to paint much for those first few months. I’ll get back into the swing of things work-wise once I figure out how on earth to be a mother to not one but TWO little ones. (Wish me luck!)

What’s in the Studio Today & Clutter-clearing

June 16th, 2010

Here’s a sneak peek at my new Cosmic Dance painting, now complete except for some minor tweaking:

I promise more detailed photos taken in good lighting, along with all the info about this piece, soon.  I’m psyched about my new camera, the Nikon D90, which arrived today.  I’ve also got 4 new Sunflower Hearts to photograph, and you will see those in the next few days as well!

Some food for thought…

Lately, I find myself continually and avidly seeking simplicity, purity and cleanliness, physically and spiritually.

Earlier this year I made the decision to subscribe to a CSA from a local farm, and I’ve also been reading about and experimenting with adding more raw foods into my family’s diet.  A couple of months ago I quit using shampoo after reading about the “no poo” movement online, and my hair is now lustrous and growing beautifully.  I’ve been cleaning my house relentlessly, and I even bought a new vacuum cleaner to aid me in this goal.  In the past month, I’ve begun a thorough, systematic process of clutter-clearing in my home.  Craigslist and Freecycle are my new best friends!  Consequently I feel the relief of saying goodbye to things that weren’t serving my life in any way and the pleasure of replacing them with new and different things that please and uplift me.  I’ve become more conscious of what I put in and on my body and what objects I choose to allow in my home.

That’s all great, right, but what does it have to do with art?  I believe that clutter and junk in your mind, your body, and your home are all contibuting factors to “artist block.”  Getting rid of the junk creates clarity of intention and makes room for you to get down to business without distraction.  (And at the very least, it’s nice to get rid of the junk anyway!)

Tour of my art studio

March 14th, 2010

Made a video of my new studio for you to see!

Share Your Art Website During Snowmageddon!

February 10th, 2010

Last week I realized that for the past month or so, the ability to post comments to my blog had been disabled because of a coding glitch.  That’s now fixed, so I want to take this opportunity to ask any painters or other visual artists out there to share the link to your website in the comments for this post.  I’m snowed in and I want to see your art!

Post away!

In the past week where I live near Baltimore, MD, we have had 2 major snowstorms for a total of somewhere in the neighborhood of 4-5 feet of snowfall!  (That’s on level ground, not even accounting for snowdrifts and the mountains made by the snowplows.)  It seems unlikely that I’ll ever again encounter a spectacle like this, barring a trip to Siberia, in my lifetime.

I feel privileged to experience such an extreme weather event–the fury of Mother Nature is a magnificent thing!  I’ve also never longed for springtime with more fervor.

Click here to see more pictures!

Being trapped in our house, we’ve taken the opportunity to finish the renovations to my studio.  I’m pleased to report all the painting, as well as installation of new light fixtures, outlets and switches is done, and I am ready to officially move in to my new studio!  I’ll have pictures up as soon as I get moved in!

And my latest artwork will be photographed as soon as the weather allows (read: oh, sometime in mid-April.)

Studio Renovation Underway

February 1st, 2010

When I first moved with my husband into our current home 8+ years ago, I took this terrible, fuzzy photo of our basement with a terrible camera:

This is just to give you an idea of what was there once upon a time–dark, fake-wood wall paneling, light beige carpet–somewhat dungeon-like, despite being a finished basement.

I immediately deemed it suitable for my husband’s lair.  He proceeded to turn the space into a mess of computer equipment and wires, disorganized papers, compact disks and what looked to me like piles of junk.  There was no semblance of decorating of any kind, aside from a few maps, car posters, and some paintings I’d given him.

The style of the computer monitors here dates this photo, which was taken before most of the accumulation of junk and wires.  (I tease, but to be fair, my husband is an amazing techie whiz and knows lots of stuff about computers.)

We were both happy with this arrangement until last year, when my needs outgrew my previous studio, a small spare bedroom upstairs, and I began taking over the entire house with paintings, tools, drying racks, art supplies, lumber, packing supplies, etc.  My business was growing rapidly.  Meanwhile, my husband’s many ancient monitors had been replaced by one large, more modern one, he sorted through and shredded a lot of papers, and he was streamlining his home office setup in general.

I loved my little upstairs studio–it was wonderful, with great natural light.  Just too small.  And he loved his basement lair, but it was too big for his needs.  Ultimately it just became obvious that a trade was in order.  So my husband moved his office upstairs, and I began the process of turning what I saw as a dungeon-like space into my new studio.  I started to get excited about the potential I now saw in the large, open space.

By February of 09 (nearly a year ago now!) I had made renovation plans and set up one corner of the basement as a makeshift workspace, and I was happy with the progress.  Click here to read a blog post from that time.

Enter pregnancy.  Enter debilitating fatigue and morning sickness.  My last memory of working on this renovation involved applying a little paint to the wall, crawling dizzily over to the steps to hang my head between my knees, eventually applying a little more paint, running to the bathroom to dry-heave over the toilet, crawling back for one more attempt, then finally falling into a nauseated sleep in a fetal position on the floor, surrounded by paint rollers and screwdrivers.  At that time I decided it was best to put the project on hold for awhile.

My baby is now almost 4 months old, and I’ve finally gotten back to my renovations.  It looks like this time it’ll actually get finished!

Here are a few progress pics for you.  The fake-wood paneling requires painting with a brush in the cracks between each panel.  You can see here I had done that step with primer over the original paneling in the far side of the basement.  My makeshift studio, which I’ve been using since I moved into the space, is over on the left side of this photo, continuing outside the frame.

(It’s a very large space.  I plan to put together a rotating gif for you to show all the angles of the room once it’s done.)

Last week I painted the far wall a gold color called “Allspice.”  I honestly don’t know what I was thinking when I bought that paint.  Oh, it’s a lovely color–energizing.  But it’s way overwhelming on a gigantic wall, and it reminds me too much of baby poop.

So I replaced “Allspice” with “Bronco Brown,” a more subdued and neutral, but still warm and energizing color.  You can’t really tell from these photos, but it’s a nice, suede-like caramel tone.  My husband helped me paint the ceiling (thank you!!) and we put in new light fixtures.  It’s a little less dungeon-like already!

I painted the weight-bearing pole in the middle of the room “Brick Dust” red, to match the color on the near wall.

Here’s a photo from the other side of the studio (you can see the red wall back there.)  Next on the list is new outlets, switches, and vent covers.

It doesn’t look like much yet, but it’s going to be fantastic when it’s finished.  I’ll have an office area, a painting area,  a sitting area, a baby area, a workshop/carpentry/packing area, and tons of space for drying paintings, storing inventory and supplies, and stretching out to work on projects in the middle of the floor.  More on this later…Wish me luck!

Rules of Color Mixing

January 20th, 2010

I recently expressed my excitement about the color red on Facebook, and my painter friend Ron Ogle reminded me to always use more than one shade of red when using red in a painting.

This got me thinking about the rules of the palette, and how rules can vary greatly from artist to artist.  I think that when it comes to color mixing, there is no absolute right and wrong.  What is right is a personal decision highly dependent on the individual painter’s vision, technique and process.

I asked some of my painter friends the following: Do you think there are rules for mixing colors? Do you limit your palette, and if so, what colors do you use?

Here are some of the responses I got:

“Today on my palette I have two yellows, orange, light red and alizarin crimson, sap green, cobalt, ultramarine and cerulean blues, dioxazine purple, black, lots of white. Basically the color spectrum.  From there I paint everything.  I got here mainly through doing plein-air and wishing to travel light.” ~David Nakabayashi

“I limit my color palette to 9 colors – I never mix them – for consistency reasons across my paintings.  I like the challenge of my limited palette in using to create depth in my work.”  ~Shai Steiner

“Unlimited palette here.  I visualize the color I want and go for the coolness or warmth I need and if it’s not quite right, I glaze layers over it until it’s what I want.”  ~Nancy Dunn

“I’m a slob.  I push paint around until I get what I like.”  ~Marc Pitman

I have several new Sunflower Heart paintings on a drying rack in my studio, waiting to be photographed.  Here’s a sneak peek!

My personal approach to color is to limit my palette for each painting, but I don’t use the same colors every time.  Before beginning a new painting, I think about what colors I’d like and lay them out.  I’m not “allowed” to use any colors except those for that painting (and if I’ve chosen well, I don’t want to.)

My friend Matt (not a painter, but a writer) expressed his doubt: “The way I look at it, if a painter limits his palette to a certain amount, it’s like a writer only being able to use certain words.”

You’d think that to be the case, but in my experience, limiting your palette forces you to get good at mixing colors.  If you are forced to make your own green from yellow, blue, red & white, you’ll end up with an infinite variety of interesting greens and in the process, learn a lot about green.  A literary analogy would be poetry: when writing a sonnet, you’re limited by the structure of the sonnet and are forced to find good words that fit into that structure, sound beautiful, and have meaning. You may end up being more creative as a result.

When I first started painting, I was a little kid.  I didn’t start my learning process with anything fancy–I was given only a few basic colors to start with.  Mixing colors to achieve a desired result is now second nature to me, and I only have to think about it subconsciously if at all.  I learned this skill mostly by practicing with the primary colors, red, yellow and blue, plus white.  It’s amazing what you can do with only those 4 pigments.

Progress on New Studio: Slow But Sure

February 15th, 2009

This studio move is turning out to be a huge job!  It’s not going as quickly as I’d like, but I can see the signs of progress as small parts of the whole gradually come together.

We’ve got about half of the space painted, and some of my furniture in place.

In my old studio I had one big bookshelf, and I had to somehow find a way to fit books, office supplies, and art supplies all on the same shelf–it worked, but it was crammed full and cluttered.

But in my new studio, I’m going to set up separate zones for office work and art work.  All of my painting supplies are going over in the “painting zone,” where I will have a large table set up next to my easel.  Now my “office zone” is truly that–no more paint splatters on my keyboard, no more eraser dust and spilled water on my invoices and bills!

And my lovely shelf will now be freed up.  With all the paints, brushes, palettes, primers, varnishes, etc. moved over to the painting zone, I can now actually keep more of my books in my studio–most are art-related or business-related reference books, but now I’ll be able to include some of my more recreational reading there as well.  My studio’s going to have a homey atmosphere.

The shelf will also be used for office supplies and hand tools.  You can see here that I have my computer desk and shelf set up, and the shelves are starting to be filled as I organize my things.  I chose for this wall to be a deep red called “Brick Dust.”

Studio 2/15/2009

Notice the white globes on top of the shelf–that is some new lighting I picked up at Ikea.  They’re called “Knoppigs.”  I love the name and think they’re really pretty–each glass globe has a unique pattern of decorative frosting on it.  I’ll move the lighting around once I have more of the space set up.

Studio 02/15/2009

There is one more wall that will be that “Brick Dust” red, but most of the room will be a neutral warm ivory color (good for displaying paintings of varying colors) while one wall on the other side of the room is going to be a rich golden color called “Nutmeg.”

You can see here the half of the basement not yet painted.  As of now, it’s still dark and dingy, and the floorspace is filled with junk upon junk.

Studio 2/15/2009

I can’t wait to see it transformed into something wonderful!

Art Studio Relocation

February 9th, 2009

Over the past couple of years, my art studio, which I run as a home business, has gradually taken over more and more of my house.

Besides the spare room that has been officially designated as the studio, I use another large room in the back of my house for storage of inventory, supplies, drying racks and tools, as well as other parts of the house for construction and workshop space when I need a larger floor area to work. My lack of space has led to unfortunate situations like this one, where paintings and supplies are overrunning our guest bedroom:

Studio in Shambles 2/9/2009

When people come over for a studio visit, the lines between work and home are blurred out of necessity–because of my limited wall space, I have no choice but to display my paintings for customers on every wall in my house. (Which is actually not always a bad thing, because I’ve found people like seeing the art in a home setting.)

But there’s no question that my needs have outgrown the space I originally allocated for my art. I’ve been working on new paintings for the past couple of weeks, but if my progress on new artwork seems slow, here’s why. I’m made the decision to move my studio downstairs, taking over the entire basement of my house. With the gracious help of my husband (who will be moving his home office from the basement into my old studio) I’m fixing the place up with a fresh coat of paint and some new lighting.

Meanwhile, I’ve begun the moving process and my studio is in complete shambles!

Studio in Shambles 2/9/2009

Most of the basement is finished with a carpeted floor and old wood paneling–you know the stuff–picture any finished basement in a single family home built in this country in the 1960′s. The part of the basement that isn’t finished, which we fondly refer to as “engineering,” has a half-bathroom, which is nice–we were joking that if we installed a kitchenette down there, I’d never have to go upstairs again! “Engineering” will also be useful to me as a back storage room, and best of all, it has a shop sink! No more oil paint in the bathroom sink upstairs!!

As I eagerly await the completion of my new studio, my art supplies, tools, office equipment, and especially paintings, are stacked on every surface where we can find a bit of space.

Studio in Shambles 2/9/2009

I think the ambiance in the basement will be much more cozy, inviting, and conducive to work once the ugly walls are painted in nice bright colors. We’ve been working around the clock, patching, priming and painting, installing new outlets, switches, and light fixtures.

My new studio is going to be a huge, open area–tons of wall space for displaying art, tons of floor space for stretching canvases, working on large paintings, or taking yoga breaks in the middle of the day. I can hardly believe I’ll have so much space! It is chilly down there in the winter, and I’m thinking about getting a space heater. But I know I’ll be glad in the summer, since it is always several degrees cooler downstairs.

My only lament is the loss of natural sunlight. There are 2 small windows in the basement, and not much sun gets in. But I figure that I’ll end up painting outside quite a bit in the spring and summer anyway (I always do) and if I ever feel the need for some sun, I can always just paint upstairs in the guest room, which has a nice window. I’m hoping it won’t affect me all that much, since, nocturnal creature that I am, I work a lot at night anyway.

Please forgive me if I seem preoccupied or absent for a little while–I’m trying to get some work done in between everything else, but as you can imagine, everything seems to take longer while I am temporarily displaced. Wish me luck for the transition!

Today in the Studio

December 30th, 2008

This is what my studio looks like today.  The gigantic canvas on the floor is something I just started.  It’s on the floor because it’s too big for my easel or any of my available walls.

Studio 12/30/08

I’m working on the under-painting, just the very first layers of color, which will serve as a base for the painting.  By the time I finish the painting, it will look very different.

Studio 12/30/08

This is going to be the newest addition to my Cosmic Dance Series.  But this one is different–for this one, I’ve taken four separate canvases, two 24″ x 36″s and two 24″ x 30″s, and attached them together to make one large canvas, 48″ x 66″.  They are not firmly attached yet, but eventually I will bolt them together into one solid piece.  If you look closely you can see the seams.

Seams

As I prepare to start my New Year, I’m feeling thankful for my little studio.

Studio 12/30/08

Studio 12/30/08

It’s true that I could use a bit more space–more storage, a workshop area for building canvases and frames, a shop sink and bigger windows–and someday I’ll have the studio of my dreams, with all of these things.

But for now, this will do just fine.

Studio 12/30/08

This is my place of business but also my beloved sanctuary.  It’s where the magic happens.

Studio 12/30/08

New Year’s Eve is tomorrow!  Are you excited?

I realize that the dates on the calendar are somewhat arbitrary, and there are other calendars that place their New Years elsewhere.  Technically we could choose any day of the year, celebrate what has happened in the past and decide to start fresh from that day forward.  In fact, that would probably be a healthy way to live.

But it’s all too easy, after months of hard work and play, everyday chores, and the constant busy stream of my thoughts, for me to lose perspective on my life.  So I see the New Year as a great opportunity for renewal.

I’m going to be doing some serious de-cluttering and re-focusing this week.  I’m going to take the time to feel good about all I’ve done this year, and also to be honest with myself about the areas (in my artwork, my business practice, and my personal life) that need improvement.  I’m pretty psyched about making a clean slate for myself.  I think it’s just what I need right now.

Happy New Year, everybody!

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